"Le Figaro" Singing Analysis And Exploration

Baritone is a connecting part between tenor and bass.Its high pitch part has the brilliant timbre of tenor,while the low pitch part has the rich and composed timbre of bass,with a relatively wide range.In bel canto singing and opera performance,the baritone part is an indispensable part.Taking the role of "Figaro" in Mozart’s "Le Nozze di Figaro" and Rossini’s "Il barbiere di Siviglia" as an example,this paper probes into the character of the characters,selects two arias for in-depth analysis,and combines the author’s singing experience to find out the singing problems of baritone in the performance of the two arias,and puts forward the solution to the best expression.This paper consists of three chapters:The first chapter makes a brief analysis of figaro’s role in the two operas.In chapter two,the most representative arias of the two operas are selected for detailed singing analysis,and some singing passages are selected for illustration.This chapter is the key part of this paper.The third chapter combined with the author’s singing experience,analyzes how to sing more accurately and help other singers and learners.