Modern Transformation Of Traditional Art Resources In Contemporary Oil Painring Landscape Creation

With the cultural exchanges and development among countries,the trend of elitism has gradually declined,and respect and understanding of cultural differences have been advocated.In the current situation of diversified post-modern culture,tradition is no longer rejected as it was in modernism,but is placed in the perspective of an important part of culture.Therefore,a large number of traditional creations appear in contemporary oil paintings.As a cultural phenomenon under the influence of contemporary culture,contemporary oil painting has a global context from the synchronic point of view.It is not a single national cultural phenomenon.Therefore,when reaching the same starting point with the national character,it no longer faces the dilemma of catering to discourse,but adopts the method of integration and communication.It means a kind of fusion and innovation between traditional culture and contemporary culture,which is worth discussing for Chinese contemporary oil paintingThe creation of landscape painting in contemporary oil painting is the field that the author has been studying,it is different from the traditional landscape creation.In the context of China’s native land,first of all,it is contemporary,and it is also a phenomenon of contemporary culture.Secondly,because of the unique aesthetic interest of ancient Chinese literati in landscape,an inevitable trend in landscape creation is the transformation of tradition.However,the existing discussion is too much about the conclusion,and the perspective is put into the characteristics after the transformation,which leads to the vulgar phenomenon of traditional appropriation in many works.In my opinion,one of the key factors is how to make tradition acquire modernity,that is,the transformation of traditional modernity.This paper discusses the landscape creation in contemporary oil painting from the perspective of the modernity transformation of traditional art resources.In the first chapter,the author discusses the research background,current situation and purpose of the subject.Then in the second chapter,the author elaborates the concept of "contemporaneity" from the perspective of conceptual interpretation,and introduces two trends in landscape creation in contemporary oil painting.Among them,there is a trend of integration in the Chinese context,which emphasizes the combination of traditional culture and contemporary culture.In the third chapter,the author begins to talk about the concept and relationship between tradition and modernity,and summarizes three types of transformation of modernity,namely materialism,acquisitivism and absurdism.The former two tend to reflect the enlightenment aesthetic modernity,that is,the rational aesthetic.The latter tends to the vanguard of aesthetic modernity with critical mainstream ideology.Finally,based on these views,combined with their own creation context,the author describes in detail the formation process of individual graduation creation scheme.