Opening A New "Horizon"

In the 1970 s,under the influence of postmodern thoughts,the western art world criticized the rigid narrative mode and creed of modernism art,which changed from focusing on form ontology to exploring the relationship between visual presentation and its context.As a more effective means of intelligence,visual field continuously refers to the social,cultural and political dynamic operation mechanism related to context.People began to pay attention to new artistic themes such as private field,identity,gender and daily experience,which dispelled the elitism,centralization and related beliefs in modernism art.This kind of transformation is a very important realistic condition,which makes it possible for artists and creative methods in the marginal areas to enter a wider public vision.Critical culture derived from the process of western modernization,feminist research--as an important branch of postmodern trend of thought of critical culture and the perspective of Academic Criticism--analyzes the history,current situation,theory and practice of various disciplines with the lens of gender,corrects a series of outdated and defective interpretations of knowledge in disciplines;as a cultural research,analyzes the image in the field of art The context issues that affect visual presentation and visual focus change the way we see things and are seen,the way we build ourselves and the way others build us as objects.This paper uses the feminist research method to analyze the artist's case,and interprets the development logic behind the art history and social reality from the visual field,which is a special symbolic language of human beings.It points out that the survival dilemma of artists as knowledge women,from the traditional gender confrontation to the perspective of human nature,excavates the practical significance of cultural construction.It presents a more inclusive and open This paper puts forward and discusses examples of social problems in Fang's context,and enlightens the author tocritically reflect on daily life and face himself and reality.This is not only to learn and summarize the previous experience,but also hope to inspire thinking,deepen the further understanding of the relationship between human and society,form the cognitive basis of art practice,and participate in the current social process by using a more ideal intellectual means.This paper is divided into four chapters:The first chapter traces back to the logic behind the drastic changes in the western art world in the 1970 s,as well as the relationship between feminism and the changes.The second chapter analyzes the feminist logic by interpreting the visual evolution and psychological mechanism of Louis Bourgeois' s artistic creation.The third chapter expounds that Louis Bourgeoisia's artistic creation expresses self concern in a non confrontational manner and refers to the problems concerning the whole human culture and human nature.In this process,she has realized the double transcendence of self and reality,in order to show that her art brings a more lasting and profound influence.The fourth chapter summarizes the author's understanding of this new way and the perspective of thinking to participate in the current art practice,as well as personal creative practice display.Conclusion: in the current art field,it is necessary to re-examine the theoretical research method of feminism.It is possible for us to raise and discuss individual dignity,living conditions and other issues in the way of visual art to deepen our cognition of the human world and participate in the current art practice in a more reasonable cognitive way and thinking angle.