Poetry Into Painting

In today's known genealogy of traditional Chinese painting,on the surface,poetry is often introduced into painting.[1] zhang yanyuan's book of famous paintings in past dynasties,volume 10,volume 812,page 350] [1] and the way in which the court of the song dynasty took poetry as the proposition of the palace painter are all confirming this fact.In the Chinese art history before modern times,poetry into painting occupies an important position in the Chinese art history,which is dominated by scholar-officials and literati.The pursuit of "meaning" in Chinese painting is far higher than the pursuit of the likeness of the objects depicted in the picture.The realm has been familiar,the heart has to hand,beginning and moderate,about the edge.From the point of view of art creators and recipients,the artistic conception of Chinese painting in the mainstream of Chinese art history can be seen as a cultural community in identification with a consensus on the art of presentation,which could explain why many works in the history of Chinese art without specific cultural training cannot be thoroughly,and the value of traditional Chinese painting is not just stay on the intuitive level quality problem.The visual art history before western modern art is obviously different from Chinese art history.Under the influence of ancient Greek philosophy and western religion,western traditional paintings pay more attention to imitation and reproduction.Such a distinction in China's modern social changes in another way.In multi-ethnic culture is difficult to eliminate the influence of each other today,at the beginning of the 20 th century and introduces the traditional art of self-denial have apparently does not conform to the current needs of spiritual culture,traditional Chinese painting the poetry is the corresponding ink and text behind voluminous culture,ideology and social reality,the Chinese art of today just draw nutrients from the ancient painting and thought is not enough,our modern requirement for art creators undoubtedly reached an unprecedented height,in addition to understanding the national spirit of culture and art,It is necessary to have a deeper understanding of the treatment of other nations in the same time and space with us in the same entry point of art.In the entry point of "painting with poetry",ansemkiefer is undoubtedly a very representative artist.Ansemkiefer,a master painter who enjoyed "the poet of the ruins of the third Reich," is known for his poetic references and reconstructions.In the process of his creation,kiefer always emphasized his long-term attention and research on national literature,poetry,religion and even music.The study of the jewish kabbalah mystic Isaac luria alone has been going on for more than 20 years,and there is even a library in his studio for inspiration.His construction of his own creative system is very macro and detailed.The study on the relationship between Anselm kiefer's creation and poetry is undoubtedly beneficial for Chinese artists to understand their own work in the context of contemporary society.Kiefer artistic understanding of poetry and presented clearly and traditional Chinese painting in the poem to show on the content and the signified has significant difference,but when we can't completely agree to say language expression,emotion and other complex things in the artistic creation,the relationship between poetry and art are has obvious convergence,both as a human emotional expression or as an extension of art.Just as in the contemporary context,absence shapes presence,difference contributes to unity of understanding.Art presentation outside the context of Chinese culture will also help Chinese artists to exist in a world that has never really been noticed.