A Study Of Changsha Yang's Female Poets In The Late Qing Dynasty

In the late Qing Dynasty,Hunan women's literature has made great progress compared with the previous generation,and some representative family female poet groups have emerged.Changsha Yang's boudoir is one of them.Changsha Yang's boudoirs are mainly composed of five women: Li Xingchi,Yang Shulan,Yang Shuhui,Zhou Chuanjing and Liu Deyi.Yang Shulan and Yang Shuhui are Li Xingchi girls,Zhou Chuanjing and Liu Deyi are Yang Shulan and Yang Shuhui,respectively.This article is based on the prosperous Hunan female literature in the late Qing Dynasty,and the collection of Yang's boudoir family "Dan Xiangge Poems" to examine their life stories,literary contacts,interprets their creative texts,and analyze their inner world and survival state.It points out their status in literary history.The first chapter is an overview of Hunan women poetry in the late Qing Dynasty.It mainly summarizes the development process of Hunan female literature,and studies the overall style of Hunan female literature in the late Qing Dynasty from four aspects: geographical distribution,social class,number of poets,and family characteristics;The second is about the textual research on the friendship of young poems of the Yang Family.First of all,the life of Yang's boudoir poets is reviewed,and then their literary friendship activities are sorted out;The third is the writing perspective of Yang's boudoir poems.This chapter analyzes their creative characteristics from the perspective of literary creation;the fourth is about the creative achievements and limitations of Yang's boudoir poets.This chapter mainly summarizes the creation achievements and limitations of Yang's boudoir poets,which not only points out their achievements and contributions in poetry creation,but also discusses their shortcomings in poetry creation.