| In the era of rapid development of modernization,people can hardly hide their misconceptions and anxieties in the paradox of visible and invisible through various visual landscapes constructed by visual technology.When the media landscape constituted by images becomes the intermediary of the realistic relationship,and when the unreality becomes the reality itself,the cognition and reflection of the body experience and its generative meaning under the landscape construction become the urgent need of people under the existence of the landscape.The film has become one of the research objects under the subject of body landscape.According to the China film yearbook,Chinese road movies were born in 2001,and a total of 26 road movies were released on the Chinese mainland between 2001 and 2018.From the perspective of film genre,highway is a minority road movie,but it is the motif of searching and searching with the energy level to heal people's hearts,and it constructs a unique "body landscape" with the body narration of "on the road",thus bursting out with exuberant vitality in the hearts of audiences.Research,this paper tries from the merlot.Ponti the body and the body is the idea of world view,life in the body narrative point of view,defining the Chinese road movie,think China road movie embodied in the "body" and "world" symbiosis,were in the interactive relationship between,on the basis of this,this paper study the Chinese road movie can be divided into "on purpose","no destination","has no destination and" three kinds of road movie.As a result,this paper takes the three categories of typical cases,respectively,on the body both within and outside the text narrative texts under the building of the body view and interpretation of landscape,it respectively by three kinds of Chinese road movie through its body narrative of the "something" simulative landscape,"disorder" warning the discipline of landscape and "is belongs to" settlement type landscape of "view" to the three categories of Chinese road movie "interpretation" to "landscape" meaning,think China road movie presents the physical landscape in the sense of the world as in the perspective of body narrative landscape under the influence of social media power output,This paper explores the meaning of "invisible" in the world of life experience.Finally,this paper is devoted to the exploration of the paradox of landscape behind Chinese road movies,and points out the falsity of the perception of social subject disintegration,so the subject should discover "oneself as an object" to truly feel the power of reflection. |
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