Research On Mortise And Mortise Elements In Sculpture

In the field of Chinese sculpture in the 1980 s,artists once faced double development challenges: on the one hand,they mainly studied and developed with sculpture in the late 1960 s as a reference;on the other hand,they developed with localized art,and the two reference systems were interwoven and infiltrated with each other.At this time,sculpture artists are divided into two schools: one is the art language exploration school with anti tradition as the core,the other is the contemporary context transformation school based on Chinese traditional culture.The sculptor Fu Zhongwang belongs to the latter,and is one of the few and effective explorers of this school.His works are very representative.Therefore,this paper chooses the sculpture art of Fu Zhongwang as a case study.This paper will analyze the mortise and tenon according to three steps.First of all,this paper starts from mortise and tenon itself,looking for the value of mortise and tenon,Fu Zhongwang,an artist with great achievements in this field,is also studied.By sorting out his sculpture creation track,analyzing it with pictures and texts,and connecting it with time clues.Especially when he entered the period of contemporary sculpture works,he searched for the theoretical support and ideological system of the artists to guide and guide behind,so as to have an overall and objective development of his works This paper discusses the application of his views in his works and the innovation on the basis of his views on tenon mortise and tenon mortise and tenon mortise and tenon mortise and tenon mortise and tenon mortise and tenon mortise and tenon mortise and tenon mortise and tenon mortise.Secondly,this paper discusses the problems in the practice of sculpture creation with Fu Zhongwang’s creative point of view,focusing on his "relevance" and "heterogeneity and isomorphism",taking today’s social problems and values as the guidance and using them for reference in materials and modeling,so as to sublimate mortise and tenon.Finally,this paper applies the theory to practice.Based on Fu Zhongwang’s works,combined with personal learning and experience,as well as the corresponding software technology,different texture and material performance are applied to the works to convey a unique visual effect and psychological feeling.Based on the ancient Chinese philosophy,this paper sublimes the connotation of the work,and makes each tenon and mortise show different special structural forms through "relevance" in the modeling.In this paper,because of the style,every part of mortise and tenon will be displayed in a complete work,adding the image modeling,adding drama and interest to the original boring mortise and tenon.To sum up,through Fu Zhongwang’s works and his keen feelings and excellent expression,this paper presents the current social relations,state and individual,human and nature feelings in the mortise and tenon,sublimates them to the height of contemporary art,and clearly defines their development direction.Mortise and tenon have innate advantages in the sense of form,so the author slightly changes the original structure to make the work more formal and conceptual metaphor.