Another World

The possibility of when painting works with a grotesque sense may have no basis to be tested,but no matter the development and the context of the development of Eastern and Western paintings,you can see the artistic characteristics of grotesque in painting creation.The influence of religion on the individual experience of the painter,or the inner world of the painter is dissatisfied with the situation in the real society,venting rebellions and monologues,etc.In the history of Western painting art before the20 th century,the mission of painting seemed to have been a kind of The highly functional recording tools,the works of mainstream painting are all completed in a safe and conservative state,but as grotesque painting works,it seems that most of them are marginalized and unfamiliar.Time has entered the 20 th century,and it can be said that painters and works with grotesque aesthetic characteristics have emerged endlessly.The works in each period and genre of modernism all have a rough goal,that is,rebellion against classic sublime art,which virtually provides fertile soil for the germination and growth of grotesque painting works.Entering into the current creation in recent years,painting has shown a complex and rich state,whether it is from the refinement of language and the richness of theme choices,or the more meta-influence of painting techniques,the rapid development of the information society Development and frequent cultural exchanges have formed another emancipation of painting individuals,becoming more diverse,weird,and exaggerated.This article will discuss many aspects of the history and characteristics of grotesque aesthetics,sort out and compare the cases of artists with comparative discussion and research value,and how to express and realize self-expression in a grotesque way.The research method is based on the case of the painter and multiple independent perspectives of contemporary painting at home and abroad,interspersing andexemplifying each other.It also elaborates the composition of the artist’s ideas and concepts,the evolution of painting techniques and techniques in the article-by-item discussion.The discussion of the article is divided into five chapters.The first chapter analyzes the basis of the existence of grotesque sensations in current paintings in the modern and contemporary context,and gives a general explanation of the general background and the problems they face.The second part of the main text first discusses the development of bizarre aesthetics and its development history,definitions and interpretations,and provides aesthetic interpretation and theoretical basis for the later expression and illustration in painting.This paper reviews the case studies of classic paintings on the expression of grotesque feeling in the history of art,and analyzes the painting motive and the early forms of grotesque feeling in the historical background of the time.The third chapter of time clues has entered the modern and contemporary period.The painter’s conceptual orientation,logic,the similarities and differences in painting language,reflection,etc.,at home and abroad.It mainly distills the recently active artists.Here,the grotesque feeling seems to become a regular expression in their works.The works are often mixed with more deep-seated ideas beyond the grotesque,and propose more for the current painting creation.Expression space and context.The fourth chapter summarizes the evolution of the grotesque sense of aesthetics in Chinese and foreign contemporary paintings based on the full text.Based on the current surroundings,the individual’s painting creation is used to carry out the grotesque elements in personal artistic creation.Guidance,to further broaden the multi-semantic and pluralistic development of the language and theme of painting and even the concepts.Chapter V summarizes the basic viewpoints of the full text,sorts out the importance of grotesque paintings being ignored at the moment,looks at the various situations and problems faced by paintings,and puts forward thoughts and prospects for the current painting direction.