Determining And Breaking Of Art Boundary

In the history of Western art,painting frames as objects of art research range from cave murals without wall frames in prehistoric times to wall murals in ancient Greece and Rome,to wall-independent,physically detachable wooden frame frames and literature During the Renaissance period,the framing frame was set up specifically to create perspective,and after the Renaissance period,the modern independent frame was formed.Painting began to become a random,movable,and independent art.With the change of history and the transformation of the art system,modern frames began to be completely independent of works of art,showing a trend of framelessness.Therefore,in the Western context,paintings no longer simply focus on the picture itself,but Start to pay attention to the role and meaning of the frame in the art of painting.In the traditional era,paintings often existed in the form of "frames" due to the requirements of art's heteronomy,centralization,and rational logic.Especially in Renaissance art,the frame is the connection between the picture and other pictures and their overall space.The role of the frame is to isolate the surrounding environment and separate the things represented by the painting from those that are not related to this representation.Since there is no border,it is difficult to imagine the overall layout of the painting and viewing angle.In the modern period,art gradually moved to a wider space such as plane and abstraction.The painters moved the easel to the outside,abandoning the people-oriented,deep narrative and centralization emphasized by the Renaissance.Painting has evolved into an independent entity that does not require a border,and "deframe" has become a portrayal of the development of painting art.Therefore,in the history of Western painting,from the traditional to the modern development process,the frame is no longer just the peripheral construction of art,but has been internalized as a visual metaphor that distinguishes between real space and art space.The ground refers to the disappearance of the frameless works of art or the boundaries of works of art.It is also the crossover between art and non-art,art and life from pure to complex.Traditional art is an art that enters the frame.The art frame is the frame,which is the embodiment of the traditional values of reason,order and unity.Contemporary art is an art that breaks out of the frame.Art is no longer bound to the frame,and the artistic boundaries of its artworks gradually disappear.This kind of research from the traditional to the contemporary,from the frame to the broken frame,from the center to the edge,andthe art boundary from the determination to the disappearance is of great significance to the research significance of art and art history and the transformation of aesthetic development.In a certain sense,the frame as a formal element has in fact become the core of modern art criticism and aesthetic construction.The multiple meanings of the painting boundaries implied by the frame often also mark the historical evolution of art history.Observation and research of the frame in the paintings of the traditional and modern times can be seen in the actual function and form of the frame in the art,whether it is a frame constructed under traditional perspective techniques or a painting formed under the concept of modern art The frames all presage the formation of a certain discourse in the historical context.Therefore,in the history of Western art,the formation and evolution of the picture frame implies the development process of the entire art history.Their rich form elements provide us with a new dimension for re-recognizing traditional and modern art.The problem is still being discussed in academia.