New Changes About Stray Narration In Zhang Wei's Novels

The literary tradition of "Stray narration" has existed since ancient times and continues to this day.In the narrative category of modern and contemporary literature,this narrative tradition is more prominent,Based on this,Zhang Wei's stray narration creation gradually formed its own unique creation style.From the early moral reflection and secular criticism in the face of reality,to the recent manifestation of distinct confession consciousness,No matter how the style changes,his works are always permeated with a strong sense of self-redemption.From Ancient Boat to The secret history of AiYue castle,the creation of Zhang Wei's stray narration has changed significantly in many dimensions.For the first time,the wandering protagonist assumed the role attribute of multiple identities,actively paying attention to the living status of the vagrants,which between classes or between urban and rural areas.In the effective inheritance of " Stray narration " in his previous works,Zhang Wei has opened a new "lost" narrative mode: "run away-recuperate-lost" mode.This mode mainly describes the story of "getting lost" of the current vagrants,that is,the story of taking the initiative to travel far in accordance with others' instructions at the beginning,being forced to recuperate due to health problems after achieving the short-term goal,taking advantage of this to reflect on the problem of "leaving",and finally being confused in a variety of choices.The "lost" dilemma of some people in the society reveals the development path and reality of Chinese society in the past 40 years of reform and opening up.It also shows the "desolate" phenomenon of contemporary people's spirit,which aims to break through the multiple difficulties caused by capital,power,wealth and desire in current life.In the deep understanding of the existence situation and the spirit of The Times,Zhang Wei reflected on and discarded the "binary opposition" way of thinking.The new change of narrative form caused by this is to effectively construct a narrative structure,and perfect the classic narrative plot in the wandering narrative.Zhang Wei's recent works,for the first time,highlighted the sublimation of "vagrancy" from the geographical level to the spiritual level through the transformation of his ideal pursuit.The contents of "gratitude for kindness","repentance" and "atonement" also enriched the theme of Stray narration.The thesis is divided into three parts: introduction,body and conclusion.In the introduction,several types of " Stray narration " are summarized and their concepts are defined.Meanwhile,Zhang Wei's creation and research status in different periods are combed and analyzed.The Song of Hedgehog is the dividing point of his new stray narrative creation.The body part consists of three chapters.The first chapter is "The new changes of the characteristics' images in the Stray narration".Taking the wandering protagonist,the wandering allies and the wandering aliens as the main research objects.This chapter analyzesthe changes from three aspects,such as status,character attribute and psychological state.The second chapter is "The new changes of narrative form in Stray narration".It takes narratology and narrative typology as the basic research paradigm,and mainly explores the changes of aspects of narrative mode,narrative structure and narrative ethics.The third chapter is "The new changes of the theme in the Stray narration".It analyzes the unique theme and value concept of Zhang Wei's Stray narration by escaping from the wilderness,running to the plateau and stepping out of the peninsula.