The Study Of Bai Xianyong’s Writings And Chinese Cultural Identity

Bai xianyong as edification and particularly prized by classical Chinese literature tradition of Chinese traditional culture of the Chinese writers,in numerous works convey rich cultural identity of complex,is rich in cultural connotations.His promotion of the revival of traditional culture is a recognition of Chinese culture.Through the analysis and discussion of the following three chapters,this paper systematically discusses the Chinese cultural identity of bai xianyong’s works.The first chapter is the spiritual motivation of the family identity.The tragedy of the life of "Taipei man" and "New Yorker" in the history and The Times has left the spirit of life of the "taibei" and "New Yorker" missing.Bai xianyong adhering to the traditional concept of value,and keep the height of the Chinese culture identity,touch to the most of human spiritual home,hope can see through the fog,the things help to rebuild the spirit of self.This chapter discusses from three aspects: first,bai xianyong "New Yorker" identity anxiety.Bai xianyong has been exploring the meaning of life’s impermanence,while in literature,he explains the "impermanence" of his life with "death".He can’t get rid of the effects of western culture on the one hand,on the other hand,in the emotional full of yearning to our traditional culture,with a loss of traditional culture of anxiety,gets the root of the mind.Second,the wanderer’s lament and homelessness culture nostalgia.Bai xianyong to combination of traditional Chinese literature with western modern writing skills,the specific s various vicissitudes of sublimation of the Chinese people to the culture,the height of the beauty of Chinese traditional culture has expressed his deep thinking and contemporary Chinese literature has a unique cognitive value and aesthetic value of art garden.Third,the concept of "cultural China" and its practical research."Cultural China" is actually the identification of the Chinese culture and the inheritance of traditional culture in bai xianyong worries and hopes in the inheritance and carry forward the Chinese culture,promoting the revival of the national culture and traditional culture,the concept of "cultural China" new era of practical significance.The second chapter is the cultural consciousness of Chinese classical culturalidentity.Bai xianyong’s works reflect the traditional Chinese characteristics more,showing the profound influence of Chinese classical literature on him,and the influence of the national culture is obviously deeply rooted.This chapter is divided into three parts: first,the influence of Chinese classical poetry on bai xianyong’s creation.From the New Yorker to the Taipei people,we can see the use of bai xianyong’s increasingly mature Chinese traditional literary skills and the strong flavor of Chinese classical literature.This is mainly rooted in his profound Chinese literary foundation,which is rooted in his Chinese classical poetry quality,which is rooted in his reference and inheritance of Chinese classical novel "dream of red mansions".Second,bai xianyong and "dream of red mansions".Bai xianyong’s study,reference and inheritance of "dream of red mansions" is mainly embodied in the integration of tradition into modernity,tradition and modernity.Third,the inheritance and innovation of Chinese kunqu art.Bai xianyong "kunqu opera plot" is not only in its creation background plays a vital role,but also deeply affect the author’s writing style and theme implication,we study the Chinese traditional culture of bai xianyong literature creation influence,is advantageous to the cause of traditional art of kunqu opera such a waning to review again.The third chapter combines the traditional and modern aesthetic pursuit.Bai xianyong not only stay in the style that breaks with traditional art as his idea of enlightenment,and carries on the simple imitation,but rather on the literary spirit bear the essence of Chinese traditional literature,and on the concrete application of the new exploration and creation.First,the connotation of the image community.Is a influenced by classical Chinese literature writer bai xianyong,long-term for the traditional poems of imagery and perception of world chewing taste,no doubt adds to his deep feelings and used to realize image better.In the image community in bai xianyong’s novels,many of the imageries are inherited from Chinese classical literature.Second,the composition of Chinese and western and tragic colors.The personal experience of bai xianyong has great influence on his novel creation,which makes it traditional and modern in the inheritance of traditional techniques.From the perspective of the "feeling and thinking of fate" and the survival and exile of foreign countries,bai xianyong’s novel is full of sentimentalism.Third,intertextuality--the reconstruction of traditional cultural values.Bai xianyong text form of the moraldiscovered our own relationship with the conception of text,and their changes also hinted at another text,become the characters,plot,the authors set up with another words,two kinds of voice slowly mutual confluence.