Research On The Application Of Light And Shadow Theory In Contemporary Gongbi Figure Painting

After the heyday of the feudal period,Chinese gongbi figure painting gradually declined.Gongbi painters have been looking for opportunities to revive Chinese gongbi figure painting.The fusion of western light and shadow theory is a bold attempt for the development of Chinese figure painting.The application of light and shadow theory in Gongbi figure painting can help the development of Gongbi figure painting in contemporary times,which is the viewpoint discussed in this article.Taking the theory of light and shadow as an aid to the development of contemporary figure painting,the author will explain the four types of light and shadow theory’s diversified types,historical development experience,characteristics of the times,and social attributes.This article divides the light and shadow theory into four types: Chinese traditional light and shadow theory,Renaissance light and shadow theory,Impressionist light and shadow theory,and modernist light and shadow theory.Through the multiple choices of light and shadow,it adapts to the art of the coexistence of Chinese and Western art under the contemporary globalization model.surroundings.The experience of historical development is used to explain the necessity of the light and shadow theory in Gongbi figure painting,and then the characteristics of the times and the changes in social attributes are used to explain that diversification and pluralism are the development trends of contemporary Gongbi figure painting.Just to help Gongbi characterize the transformation of diversity.Finally,the plasticity of Gongbi figure painting is reflected by the specific forms affected by the diversity of light and shadow theory.Through the discussion of these several aspects,it is proved that the light and shadow theory can help the contemporary development of Gongbi figure painting.