Light And Elegant Wind Flow-An Abstract Of The Innovation And Development Of The Shallow Landscape Painting In The 20th Century

The traditional Chinese landscape painting color dressing method to "with the class of color"-based,with the Yuan Dynasty literary painting gradually in the painting arena dominated,the color gradually declined.With the change and development of the society in the 20 th century,the public's aesthetic demand for art,color returned to the historical stage.The painting theme,the form of pen and ink and the color concept of landscape painting have developed accordingly,breaking through the traditional stylized performance mode.The twentieth century is a time of change,both politically and artistically,full of reform and development.As an important branch of landscape painting,the shallow landscape has a very high aesthetic value and artistic value,its color setting can not only retain the color of the ink,the color is light and elegant more suitable for the aesthetic taste of the literati.This paper begins with the reform and development of the 20 th century shallow landscape painting,and has the corresponding innovation and development in the form of pen and ink,the subject of painting and the composition of color ink.At the beginning of the 20 th century,with the deepening of the new cultural movement,and the influence of western art trends,two forms of innovation appeared in the shallow landscape painting-Toxirunzhong,by borrowing ancient revolution,the shallow landscape painting broke through the past stylized language model and began a bold course of innovation.By the middle of the 20 th century,due to the demand of political culture,painting sought more in line with the aesthetic idea of the public,and went to the masses to find the source of inspiration and to celebrate the achievements of socialist construction,which caused the change of the 20 th century painting subject matter and color expression language.By the late 20 th century,due to the development of globalization,the landscape painting was influenced by the "eight-five new wave" and "new literary painting",and the shallow landscape began to pay attention to the contemporary transformation of the composition of pen and ink language and graphics,and to give color more performance function and the meaning of the times.This paper studies the main points of view: 1,the transformation altogether development of shallow landscape painting is closely related to the background of the times,shallow color is not only a subjective description of objective objects,but also the same period of social and cultural background,artistic value concept,the understanding of the color of the same period can not be separated from the interpretation of the mainstream thought of the times.2,the shallow landscape painting with the development of the times and constantly innovate,seeking new form language to break through the traditional model of the ripples.3,the development of the shallow mountains and waters should adhere to a diversified aesthetic orientation,allowing multi-angle multi-directional absorption of art language to enrich the art form of shallow landscape painting,the development of art should be inclusive,for non-mainstream art factions and works should be tolerant attitude,at the same time for the Western art form should have a trade-off,can not blindly learn from Therefore neglect ingeniously drawing the artistic language from the excellent national culture,the development of landscape painting should be rooted in the excellent traditional culture of the nation,the development of art is not only of the times,but also with national character.4.The landscape painting plays a vital role in the development course of landscape painting,and the development and evolution of the landscape painting in the 20 th century has greatly enriched the formal language and means of representation of landscape painting,which has played an indispensable role in the development course of Chinese landscape painting.