The Acceptance Of Chang Ta-chuen From Garcia Marquez

Garcia Marquez is a famous Colombian writer.His works,especially his magical realism,have had a major impact on the world of literary world.In the 1980 s,the magical realism literature represented by Marquez spread to China,which had a great influence on a large number of domestic writers,and Taiwan ' s writer Chang Ta-chuen was one of them Chang Ta-chuen's series of works in 1980 s reflect his acceptance of Marquez in different facets.However,this kind of acceptance is not a complete acceptance.Chang Tachuen selectively accepted Marquez's magical realism writing techniques,and showed alienation towards Marquez's literary view of "literature reflects reality".In addition,Chang Ta-chuen's acceptance of Marquez in different periods and the content expressed in his works are obviously different,which also shows that acceptance of Chang Tachuen from Marquez also exhibits staged characteristics.The main content of this article will consist of three chapters.The first chapter mainly analyzes the reasons why Chang Ta-chuen accepted Marquez.Affected by the world's political environment,Taiwan's social environment also ushered in a huge change in the 1980 s.This change was the social reason for Chang Ta-chuen's acceptance from Marquez.In addition,Chang Ta-chuen's interesting of folk literature was his personal reason for accepting Marquez,and his confusion and doubts about local realism in the wave of local literature led to a change in his literary concept.It also made him turn his attention to the magic realism that had just landed in Taiwan's literary world.The second chapter explains the theme,expression and narrative strategy of the work,and analyzes Chang Ta-chuen's acceptance from Marquez in his creation.From the subject point of view,the exploration of human loneliness and the cognition of the relationship between history and memory are both concerned by both writers.In terms of expression techniques,Chang Ta-chuen also inherited Marquez's common techniques of man-ghost juxtaposition and set predictions in the creation of magical realism,making the work more "magical".In terms of narrative strategy,Chang Ta-chuen absorbed the multiple time sequence and narrative discontinuity strategies used by Marquez in the narrative,thereby expanding the capacity of the text and allowing the reader to have a greater consciousness space and obtain from this narrative a unique aesthetic experience.The third chapter mainly expounds Chang Tachuen's alienation from Marquez.On the one hand,the change in the literary concept formed by Chang Ta-chuen in the local literary movement made him question the basic literary concept of "literature reflects reality",which has an important connection with the literature and reality that Marquez attaches importance to deviation of ideas.On the other hand,what Chang Ta-chuen emphasized and expressed in the process of accepting Marquez is not consistent.From the perspective of time,taking the "CityState Violent Group" created by Chang Ta-chuen in 2000 as a node,it can be divided into two different stages for Chang Ta-chuen to accept Marquez,namely the explicit stage and the internal stage.