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On The Diversity Of Artistic Language In Wang Meng's Landscape Painting

Posted on:2021-04-03Degree:MasterType:Thesis
Country:ChinaCandidate:Y LiFull Text:PDF
GTID:2415330611455523Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Chinese landscape painting embodies the strong core of Chinese national spirit and influences the direction of aesthetic development.As an important pillar of aesthetic value orientation,it promotes the integration of multiple forms of expression.The artistic language form has formed each representative characteristic language in the hands of successive painters,which makes Chinese landscape painting in a dazzling state in the world painting world.Behind the change of artistic language form is the change of the times,the change of personal mood and experience,and the external materialized expression of spiritual thought.Wang Meng,a representative painter of the four yuan families,integrates the triple connection of the times,career and mood.Through bold innovation and development,he has formed his own unique painting art language,expanded the vision of later painters,provided learning guidance for the flexibility of traditional landscape painting,and accelerated the new process of art.This dissertation is divided into five chapters.The first chapter is the introduction,which discusses the content and purpose of this topic.The second chapter is the background analysis of the formation of Wang Meng's landscape painting artistic language,which starts from the mutual exchange of his own experience,the background of the times and the Yuan Dynasty,and deeply understands Wang Meng's creative spirit.The third chapter is the pluralistic analysis of the artistic language of Wang Meng's landscape painting.Based on the analysis of each representative painting,it focuses on the use of points,the form of lines and the combination of points and lines.Then take the characteristic texturing as the main line,analyze the exploration stage based on the Cape texturing,the innovation stage based on the solution of the rope texturing,and the mature stage based on the cow hair texturing.The fourth chapter is about the influence of the diversity of artistic language of Wang Meng's landscape painting on later generations.Specifically,it analyzes the influence of Ming and Qing Dynasties and the influence of today,which provides valuable value for the practical experience of painting to guide the actual creation.
Keywords/Search Tags:Wang Meng, landscape painting, artistic language, diversity, influence
PDF Full Text Request
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