A Study Of The Surrealist Space In Jiang Wen’s Films

The development of film art is closely related to human production and life.As a visual image art derived from science and technology,it has been using fragmented visual images to artificially reconstruct the fractured space and time with the use of montages from the day of its birth,thereby creating With the unique time and space of film and television,it is precisely because of the advancement of film art and the continuous update of film technology that the film has great creative freedom in shaping the real space.The visual nature of the film has led scholars to jump out of film time and focus on the spatial nature of the film,and gradually formed a unique popular perspective.The audience’s cognition of film art originates from life.In the discussion of film space,whether it is the reproduction of real space or the construction of imaginary space,it implies people’s metaphors of social politics,production life and cultural psychology.This article uses six film works created by Jiang Wen as the research texts,using literature reading,text analysis,interdisciplinary research methods,and practical critical analysis methods.Based on the theory of space,surrealism,and cultural research,Jiang Wen’s films are The Surrealist Space is systematically discussed and textually analyzed from a philosophical,sociological,and artistic perspective,and then explores the pioneering nature of director Jiang Wen’s domestic film space form.The structure of the article begins with an introduction,and the main content is divided into four chapters.The introduction uses CNKI.NET as the main database source to select relevant papers related to Jiang Wen’s films,space,and surrealism.The thesis classifies and analyzes the text of these texts,and organizes the conceptual definition of related theories.The first chapter mainly systematically discusses the first question raised by the author.From the philosophical perspective,he uses the space theory of thinkers such as Lefebvre to explore the surrealist space created by Jiang Wen in the realistic context.From the geographical resonance peak The visual formants and masculinity worship formants are carried out from three angles to reveal the surreal space in Jiang Wen’s films.The second chapter understands the delicate balance of the relationship between the film space and the social space created by Jiang Wen’s film from the perspective of the cultural studies of daily life criticism,and the imaginative occupation and active role of the special space subject created by Jiang Wen.The third chapter focuses on the relationship between body and space.As a special form of surreal space created by Jiang Wen’s film,body space creatively highlights the unique function of body space in the construction of surreal space.The fourth chapter analyzes the breaks and stitches in Jiang Wen’s films by combining surrealism and real situations,with a view to exploring the creation and challenge of the concept of surreal space to traditional film space.It is hoped that this article can explore a new perspective for the innovation and research of domestic film space forms by exploring the surreal space of Jiang Wen’s films.