A Study On The Formation And Understanding Mechanism Of "Tu Wei" Lover's Prattle In The Form Of Dialogue

"Tu Wei" lover's prattle mainly presented in the form of dialogue,which is a linguistic phenomenon with ultra-conventional thinking and ultra-conventional grammatical features.Based on the perspective of cognitive pragmatics,this paper conducts a linguistic study on the formation and understanding mechanism of the "Tu Wrei" lover's prattle in the form of dialogue.The first part is "Introduction".On the one hand,it focuses on the research status of"Tu Wei" lover's prattle.On the other hand,the "independence-dependence" analysis framework,relevance theory,concept integration theory used in this paper and research content are introduced.The second part focuses on the definition,classification,discourse characteristics and communication intention of "Tu Wei" lover's prattle.From the perspective of conversation analysis,two dialogue modes are summarized,including "inquiry"(question-answer-supplement)and "statement"(statement-question-answer).Then,by contrasting "Tu Wei" lover's prattle with traditional literary lover's prattle,it emphasizes the entertaining nature of "Tu Wei" lover's prattle.The third part analyzes the formation mechanism of "Tu Wei" lover's prattle in the form of dialogue from the perspective of the speaker.This paper proposes an analytical model on the formation of "Tu Wei" lover's prattle with the "independent-dependence"framework and the "connotative extension" inheritance theory.The key to the formation of "Tu Wei" lover's prattle is to find the relevance of some words.Speakers use language strategies to create contrasts and set language traps.Finally,examples prove the feasibility of the analytical mode.The fourth part explains the understanding mechanism of "Tu Wei" lover's prattle in the form of dialogue from the perspective of the receiver.Guided by the relevance theory and conceptual integration theory,this paper constructs the "association integration understanding mode",which includes five stages:spatial input,spatial docking,spatial conflict,spatial transition and synthesis.The key to understanding is to obtain the connection points between spaces,and then realize the transition from "semantic conflict"to "semantic harmony".In addition,the causes of entertainment effects are analyzed from the perspective of linguistics and psychology.The fifth part is "Conclusion".This section summarizes the formation and understanding of "Tu Wei" lover's prattle,and explains the reasons for the entertainment.Finally,it points out the merits of this research and the areas to be improved.