Design And Analysis Of Music For Degree Concert

For graduate students majoring in professional master of Arts(MFA)vocal music,degree concert is not only a demonstration of learning results,but also a phased summary of their own professional learning.In order to fully display the learning achievements of the master in the past three years,after careful discussion with the tutor and combining with personal voice conditions,singing ability and aesthetic orientation,the repertoire of this master’s degree concert mainly includes Chinese and foreign art songs,songs with different national styles and characteristics,and foreign aria.After long-term careful study and polishing of the works and perfect presentation in the concert,the author has mastered rich theoretical knowledge and gained certain singing experience of these works,provided abundant first-hand materials and profound thinking,and laid a solid practical and theoretical foundation for the writing of the dissertation.This thesis is composed of three aspects: introduction,main text and conclusion.In the introduction,the research purpose and significance of the thesis and the research methods and approaches used in the writing of the thesis are introduced.The text is divided into three parts.The first part can be divided into two sections: The first section combines the repertoire accumulation in the process of vocal music learning and personal singing ability to conceive the repertoire of the concert and follow the song The different genres divide the concert’s repertoire into three categories: artistic songs,songs with different national styles and opera arias,and then the specific selections of each category are explained;the second section is based on its own singing ability and repertoire Starting from the consideration of diversity,the design of the concert repertoire was analyzed.The second part is the focus of this article.This part starts from the classification of the repertoire of this concert.It discusses the singing of the repertoire from the perspective of singing and combining theory with practice.Understanding.The third part is the author’s summary and thinking about holding this concert.Firstly,it analyzes and thinks from the perspectives of voice and emotion,singing and performance in combination with some of the repertoires in the concert;secondly,it discusses the problems that tend to occur in the concert.And the solution is analyzed and summarized.The conclusion is the thoughts and summary of this thesis writing.In the long-term professional training and on the stage of tempering,the author has gained a lot of practical feelings and experience.From the perspective of practice,this thesis carefully sorted out the theory.Through the analysis of specific problems,the theory was combined with practice again,which made me more clear about some of my own problems and enabled me to stand on a new theoretical level in my future artistic practice.