In the Ming and Qing Dynasties,as an important part of Chinese ancient architectural decoration,the ridge decoration of glazed ridge was not only highly developed in technology,rich in decorative elements,varied in design methods,but also closely related to folk culture,religious spirit,philosophy and national tradition in the Ming and Qing Dynasties.It plays an important role in studying the Ming and Qing society and building design works with Chinese characteristics and Chinese characteristics.However,at present,people do not know enough about the ridge decoration of the Ming and Qing Dynasties.Many people do not understand what the ridge decoration is in the Ming and Qing Dynasties.What is there? And there are several problems in the academic circles for the study of glazed ridge ornaments in the Ming and Qing Dynasties: 1.The concept attributes of the glazed ridge ornaments are not clearly defined.2,the cognition of the glaze ridges and decorations in the Ming and Qing Dynasties is not comprehensive.3,there are few studies on the design methods of the glazed ridges in the Ming and Qing Dynasties.Based on the above problems,this paper chooses the ridge decoration of the Ming and Qing Dynasties as the object of study.Through the methods of chart,induction,comparative method and so on,from the inside to the outside,the paper focuses on the three aspects of decoration,design and cultural connotation of the ridge decoration in the Ming and Qing Dynasties.By using chart and induction,we study the roof form of Ming and Qing Dynasties,the types of glazed ridges in the Ming and Qing Dynasties,and the specific decorative elements of the glazed ridges in the Ming and Qing Dynasties.Using graphic method and comparative method,we analyzed the design methods of glazed ridge decoration in the Ming and Qing Dynasties in composition,color,shape and subject matter,and discussed how to do the design in the Ming and Qing Dynasties.Finally,in terms of cultural connotation,we studied the values,philosophies and social culture reflected in the ridge decoration of the Ming and Qing Dynasties.The research is sublimated from the physical level to the spiritual level.Through the study of these three aspects,we can draw a conclusion about the characteristics of glazed ridge ornaments in Ming and Qing Dynasties,and extend this conclusion to the inspiration of modern design,making the theory useful. |