Aesthetic Exploration Of Folk Dance In The Context Of Ancient Poetry

To study the aesthetic value of ancient Chinese folk dance from the perspective of folk dance poetry is based on the basic conditions of "homology of poetry and dance",the concept and definition of Dance Aesthetics,the formulation and classification of folk dance poetry,and the definition of the concept of Folk Dance Aesthetics,which provides a solid theoretical framework for the whole thesis.The research scope and purpose of this paper are mainly divided into the following three points: one is to systematically and completely outline the whole development process of ancient Chinese folk dance and folk dance poetry.The study of folk dance and folk dance poetry can not only stay in a specific period of time,a certain kind of poetry,but should be put in the macro background of social development to make a complete grasp of its overall development.The second is to study the cultural connotation and artistry of ancient Chinese folk dance and folk dance poetry from the perspective of literature and art aesthetics and music and Dance Aesthetics.In the study of folk dance through folk dance poetry,we should not separate literature,aesthetics and music and dance art,but pay attention to their respective independence while taking into account their characteristics.Thirdly,starting from the history of the development of ancient Chinese folk dance,this paper makes a macro and systematic summary of the evolution of the aesthetics of folk dance,and analyzes the development trend of the aesthetics of folk dance and its many influences on the level of dance and literature.Therefore,based on the ancient Chinese folk dance poetry text,this paper studies the ancient Chinese Folk Dance Aesthetics and its value embodiment,hoping to supplement the existing research results.