The Study Of Yizhou's Fictions

It has been 20 years since Yizhou stepped on the literary world in 2000.He has been recognized as a representative writer with high degree of personality recognition and excellent literary achievements among the post-70 writers.Yizhou's early works mainly imitate avant-garde literature and pay more attention to the novelty of language form.However,with the increase of writing experience,he gradually places avant-garde spirit deeply in the writing direction of realism,striving to place equal emphasis on the form and thought of his works.In today's flourishing contemporary literary world,the Post-70 s writers have become a thriving branch.Yizhou has made great achievements in it,and his fictions have won many awards in China.He has become a writer with unique charm among the Post-70 s writers by virtue of his unique literary temperament.This article will take Yizhou's fictions as the main research object,based on the intensive reading of the text,comprehensively analyze factors such as the background,social environment,and personal experience of the author,using a combination of external and internal research methods.Based on the narratology theory,it systematically and comprehensively researches the creative theme,character image,and narrative art of Yizhou's fictions.At the same time,put him in the perspective of literary history,and deeply explored the unique ideological and aesthetic qualities of his works in comparison with other post-70 s writers,find the strength of his works that has not been discovered by the world.The article will pay attention to his advantages,and also notice on the disadvantages and defects of his fiction creation,in order to urge the writer.The article will also discuss some controversies in the previous studies,and further advance the research of Yizhou and his fictions.This paper also discusses the relationship between writers and readers in the current society,and the author's need to balance the relationship between "interest" and "meaning",which is of great significance to the author himself,the post-70 writers and the whole contemporary literary world.The introduction of this paper mainly focuses on two aspects: the first is to sort out Yizhou's creation and research status;the second is to start from the topic of literature history ofpost-1970 s writers in combination with the background of the times,and give Yizhou a reasonable positioning of literature history in their style evolution of constructing narrative space of daily life.The body of the thesis consists of four chapters.The first chapter discriminates and analyzes the theme types of Yizhou's fictions.Through the comprehensive reading of Yizhou's fictions,three main theme types are concluded.First of all,Yizhou examines the existing state of people's lack of subject consciousness in the city and their rebellion against this state.Secondly,he gives the method of self-redemption by self-recompense;Thirdly,Yizhou put aside the class to write the oppression of life to all people,who showed the suffering of life to persuade all living people's compassion.Through these three themes,he completed the examination of himself and others,saving people while saving themselves.The second chapter analyses three unique characters in his fictions: the elderly people suffering from psychological loneliness and physical depression,the middle-aged who came from the 1980 s to witness the collapse of the era and the disappearance of the ideal,and the young people who refused nostalgia but could not find a spiritual place in a strange land.This chapter analyzes some representative works,and discusses Yizhou's creative intention of revealing the influence of social changes on individuals by depicting the characters in the three generations of old,middle and young,and from this,it reveals the spiritual ills of human beings during the development of the times.The third chapter analyzes the unique narrative art of his works based on the theory of narratology.He mostly uses the fiction structure of "search for answers",pursues the changeable narrative perspective,expands the narrative space of the fiction with the application of the special children's perspective,and in the narrative language,it shows the combination of poetic and intellectual as well as the characteristics of visualization,these all reflect his careful polishing of the fiction in narrative.The fourth chapter,based on the first three chapters,discusses the "miniaturization" factor of his works and the "gain" and "loss" of his works from the overall point of view of hiscreation.The article expounds his insistence on avant-garde spirit,and demonstrates the unique qualities combining avant-garde spirit and realism in his works.The analysis of some works reveals that he intentionally contrasts and integrate classical and modern stories in his creation.Or show classic interest in the work,with a new creative idea of mixing "classical" with "modern".At the same time,the paper also points out that his fictions have the problems of story fragmentation,metaphor stacking,and the defects of self-repetition in some of his works.