Study On Structured Image Practice In Documentary About The Inheritor Of Intangible Culture Heritage

This thesis is in prophase follow teacher survey for many times,visited the county cultural centers,collective watched video qianyang county city,the geographical position of qianyang county,the humanities environment,intangible items have a preliminary understanding,and in the cultural center gathered information about the skill of qianyang county non-material cultural heritage and images and visited the regionalization of area of genetic carrier.During the survey found that although the regionalization of the government attaches great importance to intangible cultural heritage,but as a result of propaganda and the attention of people is different,the same is the regionalization of area of non-material cultural heritage has a totally different fate,if not arouse people’s attention and protection,will face the risk of lost,so for the protection of the intangible project is imminent.By means of image record can make some valuable information to long-term preservation,this paper tries to use image recording way,in the film and television theory,documentary creation theory,such as derrida deconstruction as a theoretical guidance,through the deconstruction of decentralized creation,expression of intertextuality,image alienation deduction and other methods,in recent years and combining the interpretation and analysis of the excellent documentary narrative art,according to the features of deconstruction type images and intangible documentary,comparison of deconstruction type image related documentary and intangible documentaries,fully absorbing such documentary filming technique,To explore the application of deconstructed images in the documentary of non-genetic inheritors,this paper mainly analyzes and studies the application of deconstructed images in the documentary of non-genetic inheritors from the perspectives of documentary narrative techniques,shooting themes and images,and puts forward its own arguments and arguments.Combined with my own works,I analyzed the role and significance of deconstructed images in the expression of works,combined with the content and theme of images,and analyzed its advantages and disadvantages.In my works,I deconstructed from three aspects of narrative,lens and rhythm,and used the advantages of documentaries for reference in my works.The contribution of this paper lies in sorting out the intangible cultural heritage project of qianyang,and making its own overall planning by combining the theoretical basis of deconstructive image.According to my own planning,I made shooting plans and finished shooting and sorting out the materials of my works.Combined with the deconstructive theory studied in this paper and the video data collected,I tried to edit my works.Summarize some shortcomings or defects in the promotion of intangible cultural heritage projects in qianyang area,and further improveand improve in my works.