Family World Under Japanese Aesthetics

Japanese aesthetics is known for its simple overall style,which has characteristics different from those of other ethnic groups,cherish the emotions with the attitude of "one session,one meeting",the preference for the "blank" of things,like to create a "Unseen" emotional atmosphere are distinctive features,these Japanese aesthetic characteristics are closely related to Japanese culture and art,especially its integration with movies makes Japanese movies one of the most distinctive national genres in the world.Japanese film director Yasujiro Ozu and Hirokazu Koreeda are the representative directors of Japanese family films,and their film works are highly regarded by the world's film industry.Japanese directors from two different eras show their fascination with family films,They incorporated their traditional culture and aesthetic style into their films,making Japanese family films a representative type of Japanese film,At the same time,it also promoted the Japanese film to maintain the inheritance of national cultural characteristics and poetic aesthetic style in the large and mature cultural industry system.But the changes in the background of the times and the differences in cultural contexts,Yasujiro Ozu and Hirokazu Koreeda have personalized creations in a similar Japanese aesthetic style.They have created different or even opposite characters in similar family film works,and Japanese aesthetics have been interpreted and displayed differently in their works.This paper analyzes the projection of the background of the times in their works by combing the context of the fusion of Japanese aesthetics and Japanese family films,and comparing the works of the two directors,the film reflects the changes of the times and changes in ideas.This paper explores the different interpretations of Japanese aesthetics by Ozu Anjiro and Shizuo Yu in similar works,and draws inspirations for the development of Chinese cinema.