Emotion has always been the initial motive force and source of artistic creation.As a native of Hunan,I have a deep attachment to Hunan.Hengshan Mountain,the Nanyue Mountain,is known as " the only beautiful mountain among the five mountains" and stretches for thousands of miles across the land of Hunan.In Nanyue Mountain,there are many Taoist temples,Buddhist temples and Confucianism,which have given rise to a religious spectacle of coexistence of Buddhism,Taoism and Confucianism.The freehand landscape painting " Fuyan Temple" is based on Hengshan's continuous,gentle,graceful and elegant creation.It takes Fuyan Temple,the ancient temple of the Six Dynasties and the center of the Seven Ancestral Dojo,as its creation center.In its creation techniques,Fuyan Temple is greatly gray,white,large and unified,showing the mysterious and ethereal " still holding a pipa" in Nanyue Mountain.It combines my subjective feelings about the specific images of Hengshan Mountain with the dialectical thinking of traditional Chinese philosophy,and pursues the aesthetic effect of " emptiness" and " depth" in creation.This creation report will focus on the west and the east,tradition and modernity,images and images,etc.as the core,and will also include thoughts and exploration on landscape painting structure,ink language and artistic conception construction. |