Ancient Lushan Temple Visual Graphic Symbol Deconstruction And Its Design Transformation Research

Inheriting and carrying forward the excellent Chinese traditional culture is an important link in the cultural construction of the party and the country.As an important part of Chinese traditional culture,Buddhism culture also faces the task of integrating into the new era.According to national policies and forms of social development,Buddhism must always adhere to the direction of Chineseization and better adapt to the rapidly developing society.Promoting the healthy development of the Buddhist cause in the new era,making the Buddhist culture better adapt to the socialist society,and re-emphasizing cultural significance or using scenes to reintegrate into modern life has become a problem worthy of attention.In this paper,the ancient Lushan Temple is taken as the research object.It is found that the visual graphic symbols of the ancient lushan Temple are refined and refined,and the deconstruction method is skillfully applied.Based on this,the design and transformation of the visual graphic symbols of the ancient lushan Temple are studied.Using deconstruction to examine the visual graphic symbols in the ancient lushan Templeand carry out the design transformation is the exploratory and open research conducted in this paper.This article have four chapters.The first chapter is the introduction part,which briefly expounds the research background and the purpose of the purpose.Buddhism has rich artistic elements.As the birthplace of Hunan Buddhism,ancient LUSHAN Temple has an important historical position and research value.It is hoped that through the deconstruction of visual graphic symbols and the transformation of design,it will absorb the essence of its art and help modern design.The second chapter is the analysis of the visual graphic symbols of the ancient ancient LUSHAN Temple.Firstly,it briefly summarizes the origin and evolution of traditional Buddhist visual graphic symbols.Based on the detailed field investigation of the ancient ancient LUSHAN Temple,the classification of the visual graphic symbols of the ancient ancient LUSHAN Temple is sorted out,and the characteristics of the visual graphic symbols of the ancient ancient LUSHAN Temple are studied and summarized.The third chapter is the study of the deconstruction method of visual graphic symbols in ancient LUSHAN Temple.Starting from deconstruction,we understand the connotation and production of deconstruction,and interpret and analyze the threedeconstruction methods of mesh decomposition,heterogeneous isomorphism,deformation and exaggeration.The fourth chapter is the research on the transformation of visual graphic symbols in ancient LUSHAN Temple.Based on the principle of design transformation and concept,the design of the ancient ancient LUSHAN Temple visual graphic symbol is taken as an element.Practice is divided into two parts: graphics and products.Use the group life and the lotus,the grass and the lotus solution to form a new chic figure,and make the product,the prayer card and the six dynasty pine pen holder.The conclusion part summarizes this paper,and hopes to continue the investigation and practice research on the basis of this paper,enriching the theoretical results.Through the exploration of the deconstruction of the visual graphic symbols of ancient LUSHAN Temple and its design transformation,it is hoped to draw nutrition from the excellent traditional culture and obtain inspiration,so that modern design has cultural heritage and aura,so that excellent traditional culture can live.Excavating the elements of Buddhistart,combined with modern design concepts,provides designers with new ideas that can be replicated and manipulated,combining inheritance and innovation.