The Ultimate Immersion

Interactive movie is the product of the development of new media technology and a new art form between traditional movie and electronic games.Through in-depth reading of interactive movie image texts,this paper explores the unique aesthetic characteristics of interactive movie and the aesthetic psychology of interactive movie,excavates the deep pursuit of human to free will in interactive movie,and shows the changes of aesthetic psychology and deep philosophical thinking brought by the new movie mode to the contemporary in the context of the new era.This paper consists of the following parts:The first chapter gives an overview of interactive movie where untangles the relationship between interactive movie to traditional movie and electronic games.Combining with the development history of interactive movie,this paper summarizes the interactive,playful and commercial characteristics of interactive movie,and also summarizes the development status of interactive movie,that is,playing through mobile terminal devices,using QTC operation technology to achieve real-time operation of viewers,and seeking cooperation with existing movie and television IP in content,and so on.The second chapter explores the aesthetic characteristics of interactive movie.It is the dissolution of aesthetic distance,the deep emotional immersion of the audience and the flow experience in interactive movie that shows the ultimate immersion beauty of interactive movie.The multi-directional interaction among audience,works and creators reflects the interactive beauty of interactive movie.The analysis of the aesthetic characteristics of interactive movie can not only explore the aesthetic experience brought by works to audiences,but also provide new historical value for the aesthetic study of interactive movie.The third chapter discusses the aesthetic psychology of interactive movie.In aesthetic activities,the active participation of the audience as the aesthetic subject is strengthened,while the interactive movie as the aesthetic object has an image form of expression.The two complement each other and form an isomorphic relation between the aesthetic subject and object.Interactive movie not only has aesthetic sense in artistic representation,but also can satisfy the psychological needs of audience to realize self-value and self-identity in the virtual world.The fourth chapter discusses mirror identity and free will in interactive movie.On the basis of Lacan's Mirror Stage theory,interactive movie affirms the mirror identity of traditional movie,at the same time rebuilds the ideal self,and seeks the aesthetic pursuit of free will in the game of the controller and the controlled.