Research On Agricultural Subjects In Chinese Photography

China is a big agricultural country,and agriculture is the foundation of people's livelihood.After founding ceremony of the People's Republic of China,Mao Zedong attached great importance to the development of agriculture,but also made a lot of attempts.New China's photojournalists to use the hand of the camera to select the scene to be shot,illustrated in different periods of agricultural policy is the main content of this article.This paper,beginning with the founding of the China Photographic Society,expounds its social background before its founding,the meetings it held at the time of its founding,its mission and some of its contributions to the society at that time.The Chinese photographic society decided to set up a photography journal,"China Photography",which was published in 1957.It included a number of photographic works of high standard at that time,and was of great reference value.During the land reform period,the private ownership of farmers' land did not change,nor did the rural landscape as photographed by photographers.After the establishment of the Agricultural Cooperative,the private ownership of farmers' land changed to collective ownership The photographer should show the characteristic of "collectivity" in his photographs of agricultural subject matter,and he should take large undifferentiated and orderly rice fields to embody the superiority of "collectivity".During the period of people's commune,this method of photography did not disappear,but it was covered with a layer of "grandiose".In the early days of the People's commune,photojournalists liked to combine the female image with the Cotton Harvest,firstly because the female labor force was further liberated after the commune,and secondly because the cotton harvest was of great significance to our country Finally,the story of the cotton girl's bumper crop spread all over the country.Later,photojournalists liked to use cotton hills and cotton walls to illustrate the advantages of collectivization.During the learn from Dazhai in agriculture period,the ``collectivization" of photographs took a new turn,with photographers photographing newDazhaii as opposed to the old,and members of the commune working together as The Foolish Old Man Removes theMountainn To show the superiority of collectivization.Mechanised Agriculture is a symbol of productivity improvement,only the development of industrialization can promote the development of Mechanised agriculture,the development of Mechanised agriculture has also driven the process of industrial modernization,agricultural photography can not be separated from the Mechanised Agriculture In this article,you can see the Alliance of workers and peasants,in which the Workers Dominate,in Mechanised agriculture photography.This paper mainly demonstrates that news photography is not a faithful reflection of reality,the photographer through the manipulation and organization of processing to select their own pictures to shoot,better propaganda for the political needs of the time.