From Emotion To Image:A Study Of Chinese Poetic Film Zhang Lin

Emotion is the motive and source of artistic creation,and image is the main expression way of film works.Emotions and images are the most important part of Chinese poetic films that organize the film narrative with the emotional structure.The unique feature of Chinese poetic films is that they can combine emotions with pictures and turn them into a more advanced realm of thought.In the current film market where genre films are popular,films such as Kaili Blues and Crosscurrent which are few in number,are more likely to attract audiences' attention and thinking.Although Chinese poetic films have relatively high cultural character,it is undeniable that Chinese poetic films are in an awkward position at present.From the perspective of theoretical research,there is still a lack of accurate definition of Chinese poetic films.From the perspective of creation field,Chinese poetic films creation lack a complete and mature system.Therefore,based on the western poetic system represented by Hegel and the Chinese classical aesthetic theory,this paper tries to analyze and summarize the current situation of Chinese poetic films from the perspective of emotional imaging.In the introduction part,by combing and analyzing the development process of western and Chinese poetic films,the author summarizes the commonness between poetic films and the differences between Chinese poetic films and western poetic films.On this basis,the concept of Chinese poetic films are defined as accurately as possible.According to the definition of Chinese poetic films,the representative works in each period are selected for illustration.The first chapter is an in-depth explanation of the research perspective,namely the origin and significance of the application of emotional elements in Chinese poetic films creation.The second chapter is about how to unity the emotions and poetry in Chinese poetic films creation.The third chapter combined with Chinese classical aesthetics,analyzes the process of Chinese poetic films from emotion to artistic conception.The fourth chapter mainly discusses the innovative achievements,problems and solutions of Chinese poetic films over the years.