The Extended Application Of Chinese Contenporary Realistic Oil Painting To The Western Classical Realistic Language

Oil painting,as a western import,took root in China and experienced ups and downs.After nearly four hundred years of ups and downs,it was not until the contemporary era that it found the soil suitable for its growth.In today’s Chinese contemporary realistic oil painting creation,there is no lack of fear of "classical" creators to learn from,such as its rigorous,rational,beautiful and harmonious aesthetic concept and modelling approach to continuous inheritance and absorption,but the Chinese contemporary realism oil painting in the western classical realistic oil painting in the language and the connotation of inheritance to study,live move hard is not a simple copy,but continuously combine the Chinese traditional culture and the ideological trend of contemporary art,the western classical realism system by the effective development and innovation.Based on the language features of western classical realism,this paper introduces the extended application of western classical realism by Chinese contemporary realistic oil painting,and explores the inheritance relationship between them by comparing the techniques and language features of the two representative painters.The first chapter is about the characteristics of western classical realism and its language.The first part is about the overview of western classical realism.The second part is about the language features of western classical realism,including technique features and language form features.The second chapter is the relationship between western classical realistic painting and Chinese contemporary realistic oil painting.The first part is the development history of Chinese figurative oil painting.The second part is the inheritance of Chinese contemporary realistic oil painting to western classical realistic painting,including the inheritance of techniques andlanguage forms.The third part is the present situation of Chinese realistic oil painting.The third chapter is the extension of Chinese contemporary realistic oil painting to western classical realistic language.The second part is the expansion of language forms,including composition,shape,color and brushwork,taking the works of Leng jun,Wang Yidong and Xiang shi as examples.The fourth chapter is contemporary Chinese and western classical realism representative painters in the comparative study on language use,respectively by Guo Runwen and Rembrandt,Wang Yidong and Angle as an example,the first of four artists biography,again in their works,for example,showed the Chinese contemporary realism painter to the succession and development of the western classical realism language.The fifth chapter is the application of western classical realistic language in my oil painting creation practice.Taking my own works as examples,this chapter elaborates the western classical realistic language that I understand and apply in combination with my own learning and living characteristics from the perspective of techniques and language forms.