Field Investigation And Cultural Analysis Of "Jiagutong"

The folk dance "Jiagutong" is a folk culture phenomenon produced under the influence of Shandong farming culture.It was originally called "playing a long board" or "singing board".It is a kind of folk rain prayer activity that was born in the folk and "dancing and praying for rain".It is now circulating in the Song Liugou village of Xiaozhi Town,Pingyin County,Shandong Province.Later,due to its strong rhythm,unique movement patterns,funny and humorous performance status with lively dance movements,and formed a "self-entertainment" folk dance.This article takes the case study of "jiagutong" in song liugou village,adopts the method of field investigation of cultural anthropology and the analysis of dance ecology morphology,and focuses on the cultural phenomenon of "playing long board" to "jiagutong" by integrating "first-hand data".This paper analyzes the form evolution,history,humanities and essence of "jiagutong",and expounds the folk belief and cultural connotation behind it.This article is divided into three chapters.The first chapter is about the ecological environment background of the growth of "Jiagutong".It contains two parts: natural history and folk beliefs: Because traditional farming culture makes people subject to land,so when natural disasters occur frequently,The villagers who lack knowledge rely on the goodness of heaven to pray for rain and bless in order to survive;Secondly,in addition to the external ecological environment,there is also a belief standard from top to bottom and from inside to outside that shapes the world view and world view of the people in Songliugou Village.Therefore,the "praying for rain" activity has been spawned and popular.The second chapter is divided into two parts: field investigation and ritual culture: Due to the promotion of the "current situation",the morphological changes of "Jiagutong" are closely related to the changes of society and culture.Therefore,the field investigation part mainly combs and summarizes the changes of the form and function of "Jiagutong" through the integration of the "first-hand data" and the literature materials actually interviewed.Since dance is an art form that conveys culture with the body and has two cultural characteristics of language and non-language,since it uses the body as anintermediary to express culture,if it is placed in a specific cultural environment or context,The second part of this chapter is to deepen and analyze the cultural connotation of ritual given by its origin attribute.In the third chapter of this article,we return to the ontological study of "Jiagutong" and analyze the morphological ontology of "Jiagutong" with the methods of morphological analysis and ecological analysis of dance ecology,because it only starts from the dance form.In order to truly understand the position that dance occupies in its environment,it is possible to truly grasp the ontological connotation of "Jiagutong".In short,the first two chapters of this paper explore the origin and development of "Jiagutong" under the view of external ecological environment.The third chapter is to return to the category of ontology,and to communicate with the former in a small way to clarify the position of "Jiagutong" in its living environment and the relationship between the two.This article hopes that the cultural behavior that has evolved from the "long board" to the "Jiagutong" cultural phenomenon will have an impact on the development and change of the ontological characteristics of the core.The development of traditional folk dance culture is reflected in the way of case study.