Research On The Creation Ideas And Themes Of Paintings In The Netherlands Reformation

The new-reformation movement of Netherlands was a capitalist revolution with religion as its cover and played an important role in the struggle for religious freedom and national independence.The early Flemish artists mainly carried on the artistic creation activity with the subject matter and so on the embryo informs,the Christ suffers,portrait portrait.With the emergence of humanism in the north,art is different from tradition.To the painting creation that can directly convey the protestant movement concept metaphorically refract the social phenomenon of this era this paper makes a comprehensive analysis of the composition and metaphorical image schema of Flemish language in combination with the new social outlook Erasmus' concept of free will of human nature and the enlightenment of the language and image of fools.Based on the social practice and personal aesthetic experience of artists,this paper explores the expression of inner feelings and creative ideas of artists.Firstly,this paper discusses the social features under the new changes in the early period of the protestant revolution with Flanders' paintings.Secondly,by summarizing the morphological features of the works of language and image in this period,the artistic creation activities of Flanders under the inspiration of "language and image" are deeply explored.In the end,it mainly summarizes the most distinctive artistic creation themes of Bosch and the elder Bruegel,and analyzes the independent value of the specific spiritual connotation of the protestant humanism concept and social class contradiction in the painting creation process of the artist;A profound understanding of the subversive language in Bosch and Bruegels' thematic creation will provide new ideas for the current artistic creation activities.Therefore,the ultimate purpose of this paper is to understand and understand the art under the influence of humanistic ideas in the protestant movement through the interpretation of Bosch and old Bruegel's paintings,which condemned the evil of human nature and exposed the graphic language of brutal social oppression.