A Practice Report Of Taihang Autumn Scenery

In the development of Chinese landscape painting,different regional cultures often give birth to works with different styles.From the Five Dynasties to the Northern Song Dynasty,Jinghao and Fankuan were influential in painting about northern mountains and stones.The study of Chinese landscape painting not only requires us to go deep into the tradition,study the artistic style of ancient people,and integrate our own understanding and cognition,but also requires us to continuously carry out sketching practice while comprehending the skills of brush and ink,and seek the link between life and art.Only in this way can we draw paintings we want and create landscape painting works in line with the contemporary atmosphere.This thesis mainly expounds the creative process of Taihang Autumn Scenery.Aiming at my perception in copying traditional classical landscape painting and techniques,combining with many times in-depth Taihang Mountain sketch,and through drawing lessons from the ink skills of landscape paintings of past artists,I have a deeper understanding of Taihang,which drives me to constantly think,explore,and arouse my creative impulse.The creation of landscape painting needs to go from copying to sketching.Only on this basis,one can integrate his own feelings and thoughts,and then create thought-provoking works.By summarizing the brush and ink skills and painting style of the predecessors,and combining the accumulation of sketch practice,this thesis integrates the gains of different shapes of painting composition,brush and ink,artistic conception and charm in the creation of Taihang Autumn Scenery.With a view to achieving a higher creation of landscape painting,the author also reflects on some shortcomings in this creation.