Research On The Tragic Charm And Performance In Erhu Music Of Qin School

Region,culture and art coexist and complement each other.The Qin erhu is an integral part of the local culture of Shaanxi.It's music works rely on the abundant local music cultural resources and permeated by the unique geography,culture and aesthetic taste,eventually forming the tragic music character.Created in the 1980 s,Qin Feng is one of the most frequently performed and influential masterpieces by Jin Wei,the inheritor of the Qin Erhu School.This rhythmic adopts the folk opera elements of Shaanxi,learns from and absorbs the performance skills of the local opera principal instrument,which greatly enriches the performance of the erhu.Based on Qin School style,this paper explores deeply the tragic aesthetics of Qin Erhu,and then reveals the internal relations and rules between the tragic aesthetics of Qin and the art of Qin Qrhu.This paper is divided into three chapters.The first chapter starts with the music form of Qin Feng,and firstly analyzes the introduction,epilogue and seven sections of Qin Feng from a macro perspective.Then analyzed the bitter tone from the microscopic view sound column cavity composed of rhyme throughout the course of the music “si” “fa” and drop as features,and the combination of four and seven degrees jumped into figure,both highlighted the distinctive local flavor,and strengthen the exaggeration of music and dramatic effect,and then analyzes the Erhu music in tragedy aesthetic situation style embodiment and application of the Qin Dynasty.The second chapter discusses the application of playing skills and styles of Qin Feng,starting from the means of performance of Erhu,analyzing the internal structure of the work in combination with the above,accurately understanding and mastering the sense of proportion when playing with both hands,and highlighting the distinct local style of Qin and the tragic implication in the work.The third chapter combined the analysis of the music form and performance skills of the first two parts,and viewed the tragic flavor of Qin School's works from the perspective of the Qin School style,and then concluded that the Shaanxi music had the style of generous and solemn,high and cold and compassionate elegy.The growth of Qin Erhu School is closely related to the regional culture of qin,which naturally releases the tragic aesthetic tendency of Qin art.This paper aims to further publicize national music to the public,spread national culture,better inherit and carry forward traditional music,and establish cultural confidence through the research on "Qin Erhu tragic aesthetic".