The Texture And Transcendence Of Life-Analysis Of Cattle Carcasses

The thesis uses the comparative analysis method to explore the texture and transcendence of life contained in the works of the painter Soutine and Bacon in the history of painting.The thesis is divided into three parts.The first part: reviewing the history of art,examining how the historical clues of the corpse theme in the history of art inherit and develop,from the image of the cow in the cave painting of Lascaux to the work of the corpse,from the theme of Rembrandt.The independent performance,then to Soutine more pure personal expression,and highlights Soutine life experience and the expressiveness and value of the subject itself,and explore the intrinsic motivation of the artist's choice of subject matter.The second part: the analysis of the pictures of the corpse of Soutine and Bacon,explores the intention of choosing the subject under the picture,and then disassembles and analyzes the painting elements of the two artists.How the painter expresses the creative intention through different creative methods to give the work full vitality.The last part: summarizing the artist through the depiction of the corpse,paying attention to the theme of death,and sublimating into thinking and understanding of the existence of life.