Research On Subjective Performance In The Creation Of Character Documentary

Creation is the main problem in the field of documentary research.The creation of documentary films is inseparable from the longing for and pursuit of "reality".But if you simply pursue the true style and neglect the structural form,there will be a single,fixed pattern.Art is not imitated,its charm lies in its uniqueness and innovation.As one of the film and television forms of art production,the documentary embodies the unique aesthetic feelings of the creators and reflects the distinct creative style.The documentary of the characters is based on "people",attaches importance to the culture of the people,reflects the current state of social reality,and uses this to interpret documentaries with deeper meaning behind them.In the creation,it is necessary to dialectically treat the relationship between subjectivity and objectivity: under the premise of respecting objective facts,the shape of the characters is concrete and sensible,and the works incorporate the thoughts and feelings that the creators understand.At the same time,the subjective consciousness of the creator needs to adhere to the principle of moderation,that is,it cannot control the unpredictability of events and the activities of the characters in the documentary.On this basis,we can actively use creative activities to deepen the connotation of the theme of the work and mobilize the rhythm of the work.This article combines the graduation work "No Who Holds It" to explore the subjective performance of the documentary film creation.The main body of the thesis is divided into three parts: defining the concept of the documentary of the person,analyzing its main function,expounding the development of the subjective performance of the documentary film creation in the different stages of the Chinese documentary film;expounding the subjective and objective concepts in the documentary,respectively Understand the truth in documentary creation from many aspects,and divide the creator's subjective performance,dialectically view the influence of the relationship between the two on the creation of the documentary film;through the application of the lens and the expression analysis of the audiovisual language,Further explore the meaning and role of the creator's subjective performance.Finally,the conclusion part combs and summarizes the previous article.I hope this topic can enrich the subjective performance of the documentary film creation,and provide new ideas for the future research of documentary creation.