Study On The Painting Theory Works And The Artistic Practice Of Yu Anlan

This topic is an overall study of Yu Anlan's life,art practice activities and his paintings.During the turbulent period of Yu Anlan's life,such as the War of Resistance Against Japanese Aggression,the special environment affecting him also included the complex academic environment at that time.Under the influence of this environment and his family background,Yu Anlan not only learned a lot of Western scientific knowledge,but also laid a solid foundation of Chinese studies and art foundation,and wrote a large number of academic works in his life,contributing a lot to the cause of education.Yu Anlan's calligraphy and painting engraving practice is also very rich.His paintings are mainly Chinese paintings,which are known for their landscapes,flowers and birds.In calligraphy and engraving,they are well-known and good at all,and they are well-known in the domestic book world in form of seal character.In the context of the conflict between East and West cultures,the development of painting studies has always been in a weak position.In the special environment in which Chinese painting is facing transformation and evolution,and Western science culture is impacting the classification of disciplines,Yu Anlan breaks through the limitations of traditional painting.His paintings divide Chinese paintings into three categories:namely,theory,history and artistic quality of painting.History and paintings making the logic more systematic and reasonable.When selecting and editing,carefully select rare books and detailed proofs to make it more accurate and research-oriented,making up for the biggest deficiency of insufficient,disorderly and wrong copying of such books.The dialectical analysis of this system is also of guiding significance for today's art practice and theoretical research.This paper tries to speculate on the issues such as the three major classifications of the Yu Anlan paintings,the selection of the collation and the compilation of the literature,and the compilation of the texts in the current context.Through horizontal and vertical comparison and analysis,and clarifying its characteristics,this paper explores the influence of the transformation and evolution of Chinese ancient painting to modern painting on the style.At the same time,he hopes to reveal the writing characteristics of his works of time painting through the research,revealing the historical value of his works in modern Chinese painting studies from the era,culture,academics and scholars,and finding the best ideas for painting codification,in order to inspire the compilation of current and future Chinese painting.