Female Perspective In Contemporary Fine Brushwork Flower-and-Bird Painting

n the development of Chinese art history,there is a wonderful flower-meticulous flower-and-bird painting,which develops very rapidly.From the emergence of meticulous flower-and-bird painting as an art form,it was immediately loved by a considerable number of painters.From the late Tang Dynasty to the Northern Song Dynasty,it developed to its peak in just a few decades,and this painting form was loved by Huizong of the Song Dynasty.In the later period,due to the popularity of freehand brushwork by literati,the development of fine brushwork flower-and-bird painting has entered a relatively stable period,or even a declining period,and freehand brushwork by literati has achieved relatively high development achievements.Although meticulous flower-and-bird painting is not very popular with scholars,and the decline of meticulous flower-and-bird painting in the Ming and Qing Dynasties does not mean that meticulous flower-and-bird painting has withdrawn from the stage of history.After being broken into sand,especially after the founding of New China,various undertakings are gradually recovering.With the emancipation of the mind,the status of women is also emancipating.The development of meticulous flower-and-bird painting has entered a new stage of development,especially the role of female painters,which provides fresh blood and ideas for the development of meticulous flower-and-bird painting.Nowadays,more and more scholars begin to study female meticulous flower-and-bird painting,study its artistic form,explore the female perspective contained in meticulous flower-and-bird painting,through the study of female perspective,understand how to use female perspective to create,and provide ideological and theoretical support for my personal artistic creation.