Strata And Field Study Of Oil Painting

The thesis analyzes the oil painting art creation by Deleuze and Bourdieu’s theoretical framework.Through in-depth discussion of the formation,connection and formation of the three layers,the paper understands the visual appearance of the oil painting and how the painters construct the picture.The roundabout order.Try to dispel the old discussion system of oil painting and guide the reconstruction of oil painting ontology in the practice of creation.In the first chapter,the technical elements of stratum and "stratum" theory are described through three sections: once deposited stratum,deleuze’s stratum theory,undeveloped egg and organ-free body.Next,the second chapter further discusses the condensation of layers through the analysis of cutting methods,such as strokes,folds of layers,textures and edges of layers.Chapter three expounds the field formation of oil painting through bourdieu’s concept of field and the connection between layer and field.Finally,the fourth chapter explains the solution domain and constitution through the research of detour and reconstruction--black rain and re-occupation--color blocks and territory.We have confirmed in the "chaos" shown in the artistic creations of Paul Cezanne(1839-1906),Giacometti(Alberto,1901-1966),Francis Bacon(1909-1992)and other painters that the disintegration of the system,the circuity and reconstruction of order require a new understanding of layers and fields.It is not only a technical problem,nor just a matter of brushwork,texture and comprehensive materials,but also the key to understand the ontology of oil painting,because all visual relations are carried out on it.Through "color blocks and territory",the field becomes the composition and formal relationship of reality in the picture.With the control of layers and fields,the painter reoccupied the "territory" in the picture and controlled the picture in a new way of power.