Research On Death Writing Of Gefei's Novels

Death is an eternal topic in human culture and an important motif in literature.It has long been eagerly concerned by the academic community.In today's complex field of rapid development of science and technology and economy,the richer the material,the more developed and technologically advanced the people are,the more impoverished and embarrassed they are.The more people can wake up and shake,except for death,there is no such thing as death.There is no doubt that death has becoming the best way to understand the world,to realize survival,to think about life.Live to death and to think of death has become the greatest value and meaning of death writing.The avant-garde writer's anti-traditional writing of death,the additional meaning of stripping death,faces the body of death.They have opened up the ugly aesthetic space for the death scene,which enhances the aesthetic character of literature and fills the blank of contemporary literature on the ontology of death.As an important member of the pioneer writer,Ge Fei faces the truth of death with a sober attitude,recognizes the existence of human beings,and forms his own metaphysical thinking about death,which has irreplaceable literary value.In addition,in the complicated and varied literature field of the 1980 s,he drew on the literary and cultural resources of Western modernism,not only combining the exploration of language and form with the theme of death,but also attempting to root the concept of death and existence in foreign countries.In the unique history and culture of China,local efforts are made,and these efforts and attempts cannot be ignored in any case.Through analysis and discussion of his death image,death writing mode and his philosophical thoughts about death,this paper looks at other people's care and reality.In this paper,Ge Fei is placed under the vanguard of the pioneering field to observe the commonality of the death of the pioneering literature while at the same time the independence of the lattice,in the comparison highlights the unique face and style of the writing of the non-fiction.The full text is divided into three parts in addition to the introduction and conclusion.First of all,starting from the image of death in Ge Fei's novels.Ge Fei's writing on coffins,water,dreams and fortune tellers are a series of absurd,mysterious and imaginary sensory worlds.Using these things to challenge the rational order and highlight the existence of a dilemma.The second part summarizes the three main modes of Ge Fei's death writing on the basis of grasping the image of death.Ge is not the death of the tentacles,touching the inner lining of life to the suspicion of existence,the fear of death,thus giving birth to the sense of loneliness and disillusionment.Through the appearance of death,the author understands the value of his novel's death writing,in order to explore the deeper spiritual world and the humanistic value and philosophical depth of Ge Fei.The third part focuses on the overall creation of the pioneering literature,from the literary context of the 1980 s,focusing on the spectacular literary scene of the collective writing of death.In addition to the collective memory of the Cultural Revolution,the reading experience,meditation and writing practice of avant-garde writers have been greatly influenced by Western modernist philosophy and literary trends,and Ge is no exception.Ge Fei's uniqueness is that the doubtful spirit and compassionate sentiment made his perspective sharper.That makes him pay attention to human nature,the truth of the world and the predicament of life dilemma of ordinary people.Ge Fei's novels depict different forms of death,showing the absurd,hypocritical,lonely survival picture of ordinary human beings.He warns the world with compassionate feelings,even if the world is not good,life is not perfect,but also with weak hope,with a tough Being brave and brave,this is the ultimate meaning of death writing.