On The Image Of Han Art Screen

Today's research on the screens of ancient China mainly focused on the screens of the Tang and Song Dynasties,including screen objects in screen objects,screen paintings,and tombs.Before the Tang Dynasty,due to the lack of physical objects in the screen,the academic circles generally mainly discussed the lacquer wood and the Mawangdui No.1 tomb of the Han Dynasty,which was considered to be a small slab in the Warring States period.Northern Wei lacquer painting screen.In the article on screen research,it is often necessary to make a simple combing work on the historical context of the screen.At present,the academic research on the early Chinese screen problems in ancient China is as follows: In the discussion of the screens before the Han Dynasty,the literature materials were mainly used as reference objects;Qin did not see the screen objects,and almost no discussion about the screens in this period.Since the archaeological excavation work since the founding of New China,the screens of the Han tombs have been seen in succession.Although the number is small,the reference value of the screens is extremely high.There are also a large number of screen images of Han Arts.Therefore,when discussing the early screens of ancient China,the academic circles focused on the screen materials of the Han Dynasty.However,in view of the current research situation of the predecessors,there is little discussion about the screen images of Han Arts used,and the author believes that there is still much room for the content that can be dig deep.The author has now basically collected the screen images of Han Arts that can be seen at present,and wants to discuss some basic issues involved in the screens of Han Arts.The introduction part of this paper explains the concept of "Han Art screen image" and defines the scope of the study as the screen image of the Han Dynasty appearing in the political map of the Han Dynasty and the Han Dynasty.At the same time,the author roughly combed the academic history of the screens and related research related to Han Arts The first chapter of the thesis traces the origin of the screens in the Han Dynasty from archaeological objects and literatures,and discusses the phenomena and influences of the screens of Han Arts The second chapter of this paper divides the screen image of Han Art into screen type and barrier type,and divides the screen into A,B,C,D and E according to the shape of the screen in the image.The barrier type is divided into two types: A and B.In addition,subtypes are subdivided in each type;among them,type A is screen,type B,C,and type D are furniture screens,and type E is throne.The author explains the source of the above screen images and the time of the tombs and the identity of the tomb owners.It is concluded that the screen images of the Han paintings mainly appear in the late Eastern Han Dynasty,and the distribution area is broad.The third chapter of this paper discusses the scene,character image and space concept in the screen image of Han Art.The first section is based on the screen image of the Han Art with the title,and determines the occasion where the screen appears and the identity of the user.The second section uses the literature as the reference object to combine the female characters in the screen image of the Han Dynasty,referring to the first in the Han Dynasty.The precedent of women using screens;the third section discusses the three spatial concepts involved in the context of art history in the context of art history,namely the metaphorical space of the scene,the visual space of the screen pattern,the double space of the tomb and the reality..Finally,the author concludes that the screen image of Han Arts generally appears in the late Eastern Han Dynasty.The lower limit of the level of the tombs is the rank of the four Hans and the corresponding social status.The screen patterns painted in the screens of the Han paintings have the characteristics of the popular patterns at that time.The viewpoint has the practical significance of art archaeology.