A Study Of Chinese Film In Industrial Subject From 1949 To 1966 In The Perspective Of Mythology

The industrial film from 1949 to 1966 is a modern political myth that has been ruthlessly replaced by stereotypes such as "conceptualization" and "formulation".The filmmakers from 1949 to 1966 used camera pen to depict a hot landscape of industrial construction about new China.They praised the advanced working class in the industrial production and innovation of New China,and sang the Chairman Mao,the Chinese Communist Party and socialism.Eventually,It has contributed to the trinity of workers,industry and the nation.On the occasion of the construction of the complex and holy industrial mythology system,the mythological thoughts condensed on the unconscious level of the filmmakers gradually emerged.And it was manifested in the mirror image with modernity.It can be said that the Mythology color in industrial image from 1949 to 1966 attributed to a strong demand from the national leadership for industrial and national modernization,the subjective cognition in industrial and industrial images of working class itself,the new people and the filmmakers.In the process,the political power of the socialist countries dominated by the working class is gradually stabilized.On the other hand,it is precisely because of this radical and imaginary modernity that the industrial image from 1949 to 1966 has entered the abyss of the aesthetic paradigm of alienation,homogeneity and mechanics.And it has become the object of criticism and even circumvention by film critics.The study of the industrial film from 1949 to 1966 in the view of mythology will be based on nearly 80 industrial film titles from 1949 to 1966,summarizing the mythological signs of the workers' body,industrial production and national politics in the industrial image from 1949 to 1966.Further traced back to the era of ancient mythology,explore and reveal the prototype characters,prototype images and prototype models that are in contact with the mythological representations in industrial images,find the "Utopia prototype" theme in modern industrial mythology,and clarify the industrial image of "seventeen years",the reason of the myth enchantment.And then reflect on the cognitive deviations of the "death" about industrial subject and textual structural blanks presented in the process of deification of industrial images.In the end,taking the industrial films of "seventeen-years" and aesthetics as the origin,combing the linear development path of "spectacle-secular-poetic" of Chinese industrial images,and looking forward to the trend of the integration of industrial films in the special context of the new century with "realism" artistic.