A Contrastive Study Of The Singing Styles Of The Three Leading Characters In The Musical Play Legend Of Alashan

Excellent and extraordinary musical plays,like a gorgeous picture scroll,deeply attract people's attention.The musical “Legend of Alashan” has remarkable spiritual and regional characteristics.It has drawn a brilliant stroke on the road of Mongolian musical development and is a masterpiece with brilliant achievements.The play is composed by the famous composer Sqin Chao Ketu and composed by U.Nachin.The whole musical takes the Mongolian heroic epic as the core theme.The plot revolves around the “robbery” and “war” of the three protagonists,namely,Prince Badan,Princess Juyan and King Lizard and Devil.It integrates the spirit of heroism and the construction of ecological civilization.The legendary love stories contained in the play are touching and meaningful.Deep and long.The musical “Legend of Alashan” constructs the plot of the story with myths and legends,showing the regional characteristics and human feelings of the Alashan region.This land contains heroic legends,cultural symbols,regional customs and other characteristics,which make its artistic value prominent and worthy of our in-depth exploration.There are five chapters in this paper: in-depth research on the theme in a progressive way.Chapter 1 mainly introduces the development of Chinese musicals,including the introduction,development and characteristics of Chinese musicals.Chapter 2 narrates the cultural basis of the singing style of the protagonists in the musical Legend of Alashan,including the cultural origin of the musical Legend of Alashan,the plot overview of the musical Legend of Alashan,and the relationship between culture and the formation of the singing style of the protagonists.Chapter 3 analyses the characteristics of the melody style of the musical Alashan Legend.One is Mongolian music elements,the other is three distinctive music theme styles.Chapter 4 makes a comparative study of the singing styles of the three protagonists from three aspects: the use of timbre,singing methods and emotional expression.Chapter 5 is about the singing and thinking of the princess aria “Let him wake up” in the musical “Legend of Alashan”.Through the above research,we can deeply understand the national culture of the musical “Legend of Alashan”,the reason why Alashan was named legend.The analysis of song style creation can make us understand the artistic style characteristics of the musical more deeply.This paper makes an overall analysis of the arias of Prince Badan,Princess Juyan and King Lizard and demon respectively,and gradually studies the singing style of the protagonists.Then,it makes a comparative study of the singing styles of the three protagonists,fills the gap in the current domestic comparative study of the singing styles of the protagonists of musical plays,and can also create a theme of “Mongolian heroic epic” in the future,with the Mongolian “British” as the theme.The creation of melody and sound moulding with male,beauty and devil as the main characters provide theoretical reference for singing.Starting from a new point of penetration,the author intends to provide a new way of thinking for future researchers of Musical Singing style.