The Embodiment Of The Song Lyrics Of Taiwanese Opera In Piano Works

The regional culture in Weinan,Fujian Province is a branch of Chinese culture with profound and long-standing history.It influences the creative inspiration of generations of composers with its distinctive local characteristics and rich cultural connotations,and injects a living soul into music works..As one of the representative genres of Minnan Opera,Taiwanese Opera is an important part of Minnan culture.This article takes Fujian's first-class composer Chen Bin's piano work"Nine Characters Cry"as an example.Through the study of the characteristics of the song,structure and tone of the Taiwanese opera music,systematically expounding these characteristics in the piano work"Nine Characters Cry" creation and The embodiment of the performance,In order to express the"spirit"of traditional Chinese folk music,Mr.Chen chose the western musical instrument of piano,absorbed western music in art form,and used a series of creative expression techniques,such as nationalized texture and structure,to make traditional Taiwanese opera.Music plays piano design without changing the original tune and melody,which greatly preserves the charm of traditional Taiwanese opera,and thus is more easily accepted and loved by Chinese audiences.It is an attempt to integrate folk and Western music expression carriers,and provides creative ideas for the adaptation of Chinese folk music to piano music and Chinese-style piano works.It is also an innovative exploration of the fertility and creativity of Gannan local opera inheritance.It can provide new research materials for Minnan music culture and ecological protection and Chinese style piano works.On the other hand,the composer provides a classic example of the perfect integration of folk music features and piano works,helping to explore piano performance,and has important practical significance for the inheritance of Chinese folk music culture and the development of Chinese piano music culture.This thesis consists of four chapters.The first chapter analyzes the cultural roots and musical characteristics of Taiwanese opera.The second chapter is the embodiment of the research work"Nine Characters Cry"in the creation and performance of the songs of the opera.The third chapter mainly explores the national significance of traditional music features in the creation of piano works.Studying the musical characteristics of the opera in the piano works has important significance for the national style of the works and the artistic connotation of the works.It also helps the performers to better interpret the works into a higher artistic realm.In order to study the combination of traditional Taiwanese opera music and piano art,inheriting and developing China's national art--Tsaiza Opera provides a new research idea.