The Study Of Henan Jiaozuo Boai Huaibang Music

As a characteristic drama of the Huaibang Prefecture area,Huaibang is especially loved by the masses in Huaibang,and is familiar to the masses of the whole country.Before the 1950 s,Huaibang was in the Huaibang area and became one of the main entertainment methods for the local people.Some fans even turned into professional musicians.However,since the 1950 s,with the prosperity and introduction of Henan opera,and the emergence of television programs and foreign cultures in the 1990 s,Huaibang began to suffer: artists changed jobs,and younger audiences became fewer and fewer.Huai's development prospects are worrisome.At the beginning of the 21 st century,with China's increased support for traditional culture and the attention of local governments,Huaibang began to have hope of survival.In 2006,Huaibang was officially listed as “National Intangible Cultural Heritage”.The Qinyang City performed many performances throughout the country,and Huaibang was gradually loved by people of the new era.At the same time,other counties and cities in the Huaibang area still face the test of survival,and the reform and adherence of Huaibang has become more realistic.Music is the most important part of the opera,and its characteristics also exist as the main features of a play.Therefore,this article is based on Henan Jiaozuo Boai County Huaibang[hereinafter referred to as Boai.As the main object of analysis,the music is analyzed in detail through some records in the investigation of the troupe,such as the different vocal scores of the artists,the existing cards of the band and the melody of the gongs and drums.Combined with the formation of Huaibang,the development history of Boai,and the structural characteristics of the troupe,the paper explores this article to make it more objective.Therefore,in the history and culture of Boai and its musical characteristics,we can understand the current living conditions of the Boai troupe,which is still sticking to the old ambitions,and the characteristics of the traditional old-fashioned music,so as to find the development and reform.Different connotations and thinking about Boao's way out.The paper is mainly divided into two parts: the introduction and the text.The text consists of three chapters,which are an overview of Boai Huaibang art's development,the study of the Boai Huaibang's music,and the way out of the Boai Huaibang.