The Narrative Art Of Qiu Shanshan's Novels From The Perspective Of Narratology

Qiu Shanshan is a writer who came from the military.She turned to the writing of daily life around 1995,and initially showed a certain narrative consciousness,fully mobilizing the narrative elements to achieve her creative purpose.Therefore,the discussion on the creation of Qiu Shanshan's novels,especially the study of narrative art,has an enlightening effect on military literature and plays a certain complementary role in the history of literature.This thesis starts with the theory of classical narratology,and takes the overall creation of Qiu Shanshan's novels as the research object,and discusses the narrative art and unique significance of her novels.In addition to the introduction and conclusion,the full text is divided into four chapters.The introduction mainly combs the research status of Qiu Shanshan's novels,introduces the research objects and methods,and explains the research innovations and significance.The first chapter briefly introduces the life and literary creation of Qiu Shanshan.The experience of many relocations and the warm and kind family atmosphere have shaped the creation concept of Qiu Shanshan,which mainly includes three aspects:gentle charm,questioning of life and interesting and meaningful creative purposes.The second chapter mainly discusses the narrative time in Qiu Shanshan's novels by the order and time interval.The linear narrative and time inversion enrich the narrative level and expand the narrative capacity;the different time intervals reflect the extent to which the author wishes to attract attention,especially for the pause of daily life details,making the narrative rhythmically.At the same time,it also conveys the persistence of human nature.The third chapter mainly analyzes the narrative space in Qiu Shanshan's novels,including physical space and social space.In the physical space,Chengdu and Tibet are the most familiar with Qiu Shanshan,providing nourishment for her creation.The contradiction between the urban and rural binary oppositions makes human nature persist.The transportation plays a role in promoting the development of the story.The public space shows the living conditions of the contemporary people while watching and being watched.The private space is full of privacy and security to help people to return to their original hearts.On the one hand,social space is expressed in the historical social space.In addition to being a narrative background,it can also play a role of identification and promotion.On the other hand,the social space is mainly manifested in the relationship between the two genders.Whether men exist in the text or not,it has a negative impact on women,and it also arouses women's resistance to gaze and discipline.The fourth chapter mainly explores the narrative situation in Qiu Shanshan's novels,focusing on the author's narrative situation and the first person narrative situation.The author's narrative situation can reflect value judgments and concepts with the help of third person and external focus.The first person narrative situation can be divided into witnesses and protagonists according to the degree of involvement in the story,and influences the readers through self-reporting to convey kindness and warmth.The conclusion is mainly based on the first four chapters,summarizing the narrative art and characteristics of Qiu Shanshan's novels,and exploring the author's creative purpose.