A Research On The Literature Creation Of Rural Theme Reportage In The 21st Century

Compared with the rural-subject reportage in the past,there is a new boom of the reportage on the problems of agriculture,rural areas and farmers either in quantity or quality,both in depth and breadth in the 21st century.The creation of rural theme literature is such a powerful impetus for the re-prosperity and development of Chinese reportage that it has an immeasurable impact on Chinese literary circles and on the society.However,due to the relatively lagging research on it,studies on rural-subject reportage is not enough.This thesis selects the rural-subject-reportage of the first 16 years in the new century as the investigation object to study the overall features of this unique literature style,its creative ideas,its inner pursuit and its artistic expression etc.for an in-depth analysis,a comprehensive categorization and a preliminary thinking and judgment on the causes for the success of rural subject reportage as well as the problems and the interferece of the reportage so that we can provide effective empirical references and necessary theoretical support for the sustainable development of the rural-subject reportage in the new century.The paper consists of four chapters.The introductory part mainly combs and reviews the present situation of the research on rural reportage creation in the twenty-first century and it expounds the selected topic basis,the train of thought and the innovation of this thesis.The first chapter mainly discusses the creative context and the overall style of rural-subject reportage in the twenty-first century.It is considered that the creation of rural reportage in the twenty-first century has the active mainstream guidance of the government and it has the creative thoughts of the forefathers as its solid foundation.However,the contexts of the marketization and the desire have brought about a great impact on the reportage creation in rural areas.But,writers of rural reportage adhere to their humanistic spirit and the experience of the bottom citizens,thus contributing themselves greatly to the reportage creation in the twenty-first century.The second chapter focuses on the spiritual dimension and the intrinsic value of the rural-subject reportage in twenty-first century.It is considered that the examination and transcendence of the individual fate,the anxiety and perspective of the rural century and the critique and reflection of the political ecology are the main spiritual dimensions of the rural-subject reportage in the twenty-first century.At the same time,the three are organic and unified,and they pay close attention to the discussion of the issues of agriculture,rural areas and farmers,and compose a magnificent movement of building a new socialist countryside and beautiful countryside.The third chapter focuses on the aesthetic characteristics of the rural-subject reportage in twenty-first eentury.Specifically,in the narrative of the rural theme reportage of the twenty-first century,zero focus view,inner focus view mode and extermal focus perspective of the three models have been employed.Different modes of perspective have different meaning generations of literary narrative report.At the same time,a variety of structural forms have been employed in the narrative structure of the reportage of rural themes,such as panorama mode,radiation form and plate type.At the same time,there are both accurately concise news language and vividly personalized literature language in the rural-subject reportage,as well as political language with philosophical and lyric features.The fourth chapter mainly explores the reasons and the problems of the rural-reportage creation in twenty-first century.It focuses on the people-oriented feelings of the writers,their courage to take social responsibilities and analyzes the reasons for the success of the rural-subject reportage from these two aspects,but the blur of the literary style and the weakening of the critical spirit are the main problems of the interference of the rural-theme reportage.The conclusion part focuses on the exploration of the dimensional breakthrough of rural-subject reportage in the twenty-first century.It emphasizes the social responsibility and the undertaking of the writers from three aspects so as to seek the sustainable development of the rural-theme reportage.