Flexible

In the 1950s and 1960s,Sino-Soviet friendly relations promoted the development of Chinese art education.Although the Sino-Soviet relationship collapsed in the late 1960s,Sino-Soviet cultural exchanges have not stopped,and the influence of Soviet oil painting on Chinese oil painting has not stopped.Yury Kalyuta is an outstanding representative of contemporary Russian oil painting,professor of the Russian Repin Academy of Fine Arts,director of the Kalyuta Studio,and a Russian meritorious artist.Yang Feiyun is one of the representative painters who promoted Chinese realistic oil paintings to the world.He pursues European classical aesthetics.The female body and portraits in his works are round,meticulous and elegant,and enjoy an unparalleled reputation in Chinese realistic oil paintings.This article is mainly to carry out a comparative study of Yury Kalyuta and Yang Feiyun’s oil painting portraits,and to bring out their outstanding ideas,to make people closer to their simple hearts and understand the essence of their paintings.This article reviews the artistic expressions of "receiving" and "putting" of two painters in portrait sketching,focusing on the study of artistic techniques such as composition,color,and brushstroke in different artistic styles of two people,and deeply studying their teaching ideas.I am looking for a form of painting language that is useful for my own oil painting creation,and seeks the artistic appeal of their oil painting portraits and applies them to my creation.