Research On The Development Of Oil Painting Art In Tibet Since The 1980s

Traditional fine arts in Tibet are an important part of the history of fine arts of ethnic minorities in China.In this thesis,the author tries to take the 1980 s as the watershed of the development of oil painting in Tibet,that is,the enlightenment period of oil painting before the 1980 s and the growth period of oil painting after the1980 s,focusing on the development and changes of oil painting in Tibetan areas since the 1980 s.In the enlightenment period,the Tibetan oil painting creation group was mainly composed of mainland artists.The life style and spiritual outlook of the Tibetan people were also in sharp contrast with that before the democratic reform.Therefore,the themes,objects of expression,means of communication and ways of learning of Tibetan oil painting were greatly changed compared with traditional art.When entered into the growth period,the nation further strengthen the reform and opening up,a large number of mainland academic artists went to Tibet to work,to take field trips,the first generation of native Tibetan painter emerged,in the plateau there was a feast between Chinese and western culture,emerging art groups in our country with great prosperity at the historic moment under the time background of cultural development,art objects changed from early to refine democratic macro to description of a new life for the normal micro expression,creation form became multiple,reflect to highlight the author’s subjective consciousness in the pictures.In recent years,with the transformation of the market structure and consumption mode,the tourism heat and the investment of artworks decrease,the Tibetan oil painting art market presents a downturn.In view of this problem,the author believes that the artists’ creation itself should seek for transformation,grasp the spirit of The Times and cultural connotation,and keep pace with the Times and coexist in various states.