On Guangtian Zhang's Plays

This thesis mainly discusses Zhang Guangtian's plays and the evaluation of Zhang Guangtian's plays.The research is carried out from the following perspectives.The first chapter is to explore the impact of Zhang Guangtian's three important nodes in the growth of the future script creation.The three nodes are: the social observation of "under the roof of Shanghai";the fusion of music apprentices and poets;becoming the playwright of the former.Zhang Guangtian's tortuous life experience provides a lot of nourishment for his creative content.Through the induction and combing of these nodes,we solved the mystery of the style of the playwright and found a key.In the second chapter,the author explores the language features of Zhang Guangtian's plays and pays attention to the use of "poetry".The linguistic features of Zhang Guangtian's plays are obvious,and the language features should be suitable for songs and catchy.The extensive use of choir enhances the emotional connotation of the play,and the slogan screams complement the background of the times,with revolutionary features,and jingles enhance the appreciation and interest of the language.In the rhythm of rhythm,the rhythm and humor of the language is deepened.The third chapter is the analysis of the characters of Zhang Guangtian's plays.The characters in Zhang Guangtian's works are summarized into the following three categories: First,the idealist pursuers,mainly represented by the role of the "idealism trilogy";the second is fearless The most typical representative of the powerful rebels is the jade in the "wind empire";the third is the deliberate poetic aesthetic symbol.At this stage,Zhang Guangtian's characters are free from the figurative and become various broken images.The fourth chapter is the theme of Zhang Guangtian's plays,the eternal revolution,the idealistic speculation and the spicy social satire.From the perspective of the theme creation,Zhang Guangtian showed the high morale of the early creators,the persistent persistence of idealism,and the process of the ultimate social irony.Finally,I talked about the relationship between Zhang Guangtian and the pioneer drama.Zhang Guangtian's plays have the characteristics of pioneering experiments,and they have a deep understanding and concern for the lower classes.Different from the revamping of expression techniques in the pioneering drama,Zhang Guangtian focuses on expressing his revolutionary ideals and underlying care through pioneering methods.This is also the idea of the new left that has always been reflected in his play.