Application Of Crane Pattern In Ceramic Decoration

The red-crowned cranes evolved from the physical character to decorative patterns,combined with traditional incentives and purely aesthetic mobility.It is a representative decorative patterns combined with subjective mode in many ornamental patterns from an objective perspective.To analyze its causes,aesthetics based on vision makes subjective judgments.There are primitiveness and purity,and it is not necessary to deal with the thinking mode under active awareness.The species of red-crowned cranes are slender in shape,white in feather color,distinct in color in tail feathers,slender in neck,strong in cuspids,and red in head,which is as the same as their appearance.With regard to its characteristics,the observer made a proportionate division of his appearance by the observation of the subjective form.The proportion of artistic aesthetics under visual processing is consciously characteristic,and the discovery of the existence of commonality from the distinctiveness also precisely enables the crane to obtain a higher artistic evaluation referring to other species and survive in the long aesthetic judgment time.The article takes the decoration pattern of red-crowned cranes as a research object and carries out analytical study in the application of traditional ceramic decoration from the aspects of living habits,religious culture,and class aesthetics,etc.The red-crowned cranes exhibited explicit contextualization as decorative patterns.According to the relevant records,the aim of the thesis is to collect the picture of the red-crowned cranes as ornamental images,look for examples of using ceramics as decorative carriers for red-crowned cranes ornament,and summarize and explain the forms,the proportion,the composition,color matching,and subjective implications of red-crowned crane characters.And the paper is a written form of information supplement for the research in the similar direction.